Art & Cultural History

Kenyans learn Chinese culture at festival in capital

“Kenyans learn Chinese culture at festival in capital”

via “Xinhua News Agency“

Kenyans learn Chinese culture at festival in capital

NAIROBI, April 19 (Xinhua) — Many Kenyans thronged a Chinese stand at the Third Nairobi Cultural Festival to learn more about the Chinese culture during the international event held Sunday.

China was represented at the festival held at the National Museum of Kenya by the Confucius Institute at the University of Nairobi during the event that attracted 15 countries and two international organizations.

Guo Hong from the Confucius Institute led the staff in displaying Chinese traditional clothes, food, calligraphy, games, and masks among other exhibits.

“This is the first time China is taking part in the event, and we are in Kenya to teach people Chinese language and culture and let people know one another,” Guo told Xinhua.

Peter Kimura, a visitor at the festival, said he came to the stand to learn more about the Asian nation’s culture after reading in books about the diversity of Chinese culture. “As China and Kenya forge closer international relationship, it is important to learn some aspects of the Chinese culture,” Kimura said.

The festival, conceived in 2013 by the Liaison Manager of Research Institute of Swahili Studies of Eastern Africa at the National Museums of Kenya, Munira Mohammed, in a bid to promote the Swahili culture at first and finally becomes an annual event.

“In 2013, we attracted nine countries, whereas in the second year 12 countries participated and come next year we anticipate the figure to soar,” Mohammed told Xinhua.

Mohammed said the aim of this year’s event is to unite the world through heritage and diversity of cultures.

Other countries that participated at the event included the United States, Switzerland, Somalia, Philippines, Mexico, Nigeria, Spain and Indonesia.

Kenyan Cabinet Secretary for Sports Culture and Arts, Hassan Wario, was welcomed at the Chinese stand by the choir from Confucius Institute that received him with a Chinese rendition of “Karibu Kenya” (Welcome to Kenya).

Wario emphasized the importance culture plays in life and promised to make the event a bigger carnival next year.

“Food and music are part of culture,” said Wario, adding one does not necessarily have to visit the respective countries to learn about other people’s culture. “You can even learn some aspects of customs from a forum like this.”

Coming Exhibition: Collectionism and Modernity

“Collectionism and Modernity:

Two Case Studies~ The Im Obersteg and Rudolf Staechelin Collections”

Pablo Picasso. Buveuse d’absinthe (The Absinthe Drinker), 1901. Oil on canvas, 81 x 60 cm. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel. Photography: Mark Gisler, Müllheim

Who: Museo Nacional Centro de Arte, The Phillips Collection, the Im Obersteg Foundation, the Rudolf Staechelin Foundation

When: Mar. 18, 2015 – Sept. 14, 2015 (View Hours Here)

Where:

Museo Nacional Centro de Arte
Calle Santa Isabel 52
Madrid, Spain 28012

How Much: (View Pricing Here)

More Information: Here

“

It was not the work of artists, critics and curators alone that made the development of modern and contemporary art possible. Another factor related to both economic and social concerns intervened as a catalyst in the process. This was art collecting.

This exhibition brings together two leading collections of early modernist art that now form part of the holdings of the Kunstmuseum Basel (Basel, Switzerland), the Im Obersteg Collection and the Rudolf Staechelin Collection, offering an opportunity to enjoy works by the most reputed early modernist masters, the vast majority of which have never before been seen in Spain. It is moreover a chance to explore the phenomenon of collecting, with a focus on its centrality to the formation of modern art.

Private collections of early modernism have traditionally been studied and exhibited with an emphasis on the contemplation of the works on display, neglecting the economic, social and political implications inherent to the activity of collecting in a context like that of Europe in the first decades of the 20th century. Nevertheless, collecting is above all discursive, and may be studied as such. A collection of whatever kind is made up not only of the works it contains but also of the narratives it successfully generates. It was in this sense that Walter Benjamin regarded the collector in his Arcades Project, viewing the act of collecting as related to the desire to understand and organize theworld as a cosmos: “Perhaps in this way it is possible to concretize the secret motive that underlies collecting: the fight against dispersion. The great collector is perturbed from the outset by the dispersion and chaos that subsume everything in theworld.”

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Coming Exhibition: Beirut Art Fair

“Beirut Art Fair”

Who: ME.NA.SA

When: Sept. 17, 2015 – Sept. 20, 2015 (View Hours Here)

Where:

Beirut International Exhibition & Leisure Center
Downtown
Beirut, Lebanon

How Much: (View Pricing Here)

More Information: Here

“Since its inception in 2010, BEIRUT ART FAIR established itself on the international artistic scene with the vision of a ME.NA.SA. labeled art which shaped its identity and power of attraction. In tune with the centers of interest of international collectors, the fair displays the creation of this region which stretches from Morocco to Indonesia, in its wide diversity.

From 17 to 20 September 2015, organizers will receive at BIEL around fifty international modern and contemporary art and design galleries. Exhibiting artists represent all of the trends of current art and express themselves through painting, drawing, sculpture, video, design or performance… Confirmed and developing artists mingle and invite the viewer to share their visions of the world, their dreams or their positions.

BEIRUT ART FAIR confirms the position of Beirut as the cultural and intellectual capital of the Arab world, at the junction between the East and the West. It is part of the international fairs dedicated to art and serves as a window for the ME.NA.SA. creation which is open to the world.”

Henan Buddha (Largest Statue in the World)

“Are these the remains of a two-million-year-old playground? Stones found at Chinese site could be toys used by man’s early relatives, say scientists”

The problem of Modern archaeology. The item is either a gift fro a mother that shows the loves caringly placed into making it or random stone fragments. We’re not really sure. **EB

“Are these the remains of a two-million-year-old playground? Stones found at Chinese site could be toys used by man’s early relatives, say scientists”

by Julian Robinson via “Daily Mail“

Scientists believe they may have uncovered evidence of a two-million-year-old playground in China.

Researchers found more than 700 stone artefacts in an area of less than six square metres in the Nihewan Basin, Hebei province.

Experts working at the Heitugou site have suggested the items were toys made by early hominids between 1.77million and 1.95million years ago.

Discovery: Scientists believe they may have uncovered evidence of a two-million-year-old playground in China (file picture)

The leader of the project, paleoanthropologist Wei Qi, has described the discovery as ‘amazing’.

The South China Morning Post quotes the Chinese Academy of Sciences expert as saying: ‘The site is a treasure chamber that may hold some useful clues to answer a lot of important questions, from the social structure of the early hominids to whether, when and how they arrived in Asia all the way from Africa.’

Close to 20,000 fragmented pieces but larger items – the majority between 20 and 50mm long – are believed to have been made by women and children.

Wei said one ‘finely made and beautifully shaped’ item was possibly a gift made by a mother for her child adding that ‘you can almost feel the maker’s love and passion’.

Researchers said the lack of evidence of animal remains and large stone tools added weight to the argument that the area was used by children rather than adults.

Scientists dated the site, discovered in 2002, using a special geochronological tool.

Researchers found more than 700 stone artefacts in an area of less than six square metres in the Nihewan Basin (pictured), Hebei province

The items have been excavated and documented with the findings due to be published in an archaeological journal in China.

Nihewan Basin used to be a huge lake and it is thought the items were buried in a sudden landslide.

However, a debate has surfaced over the findings and researcher Gao Xing of the CAS Institute of Vertebrate Paleontology said it was important to determine whether the artefacts were all hand made.

The South China Morning Post report him as saying: ‘It is difficult to rule out the possibility that they were just stone fragments created by natural forces.

‘To determine whether they were hand-made artefacts may go beyond the limit of science today.’