News

Hong Kong’s Art Scene is Growing Better all the Time and Art Basel is Just Part of It

“Hong Kong’s Art Scene is Growing Better all the Time and Art Basel is Just Part of It”

by John Batten via “South China Morning Post“

“It’s a tired cliché constantly heard but, yes, Hong Kong’s art scene is stronger “than before”. There’s now a wider variety of commercial art galleries and Art Basel’s choice for its Asian outpost has made the city a destination for international collectors, curators and art personalities.

However, there are still few domestic collectors dedicated to contemporary art, and there is a dearth of continuing and provocative museum exhibitions charting the contemporary art world. That’s notwithstanding the anticipated opening in 2017 of M+, the planned museum of visual culture at the West Kowloon Cultural District.

Within two years of its inception the art fair has become a magnetic juggernaut attracting international galleries and visitors

(more…)

Cambodia Welcomes Return of 1,000-year-old Statues

“Cambodia Welcomes Return of 1,000-year-old Statues”

by Sopheng Cheang via “Monteray Herald“

Three 1,000-year-old statues depicting Hindu mythology were welcomed home to Cambodia on Tuesday after being looted from a temple during the country’s civil war and put in Western art collections.

The pieces were handed over at a ceremony attended by Deputy Prime Minister Sok An and U.S. diplomat Jeff Daigle after being returned by the U.S. branches of auction houses Sotheby’s and Christie’s, and the Norton Simon Museum in California.

Cambodian officials say the statues were looted in the 1970s by being hacked off their bases in the Koh Ker temple complex in Siem Reap province, also home to the Angkor Wat temples. (more…)

Curating the Digital Humanities: How to Save the Humanities With Just a Few Clicks

Curating the Digital Humanities:

How to Save the Humanities With Just a Few Clicks

by Mary Flanagan via “Ozy“

“Save the books. And the film reels. The photos, the manuscripts, the letters, the maps.

These artifacts that fill our libraries threaten to sink into oblivion. But the good news? You can save them. As it turns out, the fate of media soon to be housed in the Digital Public Library of America lies in the hands of everyday Internet users, thanks to the power of crowdsourcing. How? You just have to play (sic) little online games.

These particular games just happen to add keywords to help organize media files like images, manuscripts, and more. Welcome to the future of digital curation: gamified Wikipedia.

The goal: to make printed words and imagery imminently findable once they’re moved from physical shelves to virtual ones. The British Library announced in 2012 that millions of cultural heritage artifacts could be effectively lost to the world if they were not put online — the photos and maps stored in boxes all around the world will simply be forgotten as we move further into our digitally connected age.

For the generations who’ve grown up without the library as a core part of their lives, this mission might seem a strange one. But ever since the first libraries in ancient Southern Iraq started archiving clay cuniform tablets over five and a half thousand years ago, libraries have held each successive society’s greatest treasured documents and artifacts of learning and knowledge.

As vast as Google’s reach is, the mega-corp’s multiyear Book project has, to date, scanned only about 15 percent of the world’s books.

After the books and photos and manuscripts and home movies are scanned, all of that material must be labeled by name, type or category — along with a description with detailed words to help us find it.

These archives have all the stuff Google doesn’t show you. . . . “

“Young Designers’ Exuberant SCADpad Homes Fit in a Parking Spot”

There is a fascinating trend in the younger American generation to leave behind the large, two- and three- story homes that have for so long controlled our domestic architecture. Instead the current movement is toward smaller, more economical housing that is more affordable and yet still stylish. Designers have come a long way in making these places attractive to those who live alone and appreciate these smaller places. As one of those new graduates who cannot even begin to dream of affording a small “traditional” home in the near (or long) future, I think this is amazing movement truly adapts to the needs of present society. Plus, I was beginning to grow tired of the generic sameness of most housing architecture; this is the first real innovation I have seen in a while. ** DB

“Young Designers’ Exuberant SCADpad Homes Fit in a Parking Spot”

by Ilyce R. Glink via “Yahoo!“

“Imagine an urban parking garage, emptied of its cars and filled instead with dozens of parking-spot-size homes.

It’s the vision of a group of more than 80 students, alumni and educators from the Savannah College of Art and Design in Georgia. They have been experimenting with these car-sized homes, called SCADpads, that could be plunked into any parking garage and instantly provide housing in overpriced downtown areas of major cities. The units are prototypes for urban housing, but students will live in them first to test out the concept.

“We’re targeting decks built in the middle of the 20th century, located in the heart of a city,” says Christian Sottile, dean of the school of building arts at SCAD. “Many of these were built as fallout shelters and will basically be there until the end of time.”

For its experiment, the folks at SCAD built their beta SCADpad neighborhood in the college’s midtown Atlanta parking garage, with incredible views of the city’s sprawling skyline. They took over the fourth floor of the garage, using eight parking spaces to create the three pads. The pads reflect the design aesthetics of the college’s three campuses: SCADpad North America for its Savannah campus, SCADpad Europe reflecting the campus in Lacoste, France, and SCADpad Asia reflecting its Hong Kong campus. Each pad takes up two parking spaces—one for the unit itself and the other for an outdoor garden area—and then there’s space for the community garden and a workbench. . . . .”