Art

Hmong traveling exhibit celebrates 40 years after Laos

“Hmong traveling exhibit celebrates 40 years after Laos”

by Stephen Magagnini via “The Sacramento Bee

From left, Houa Yang,Ker Cha and Brandon Xiong look at historical photographs of the CIA’s secret war in Southeast Asia during a preview Sunday of the “Hmong Story 40” project at Will C. Wood Middle School in Sacramento.

Forty years after Laos fell to the communists, decimating the Hmong people and their culture, a new generation of Hmong American leaders has emerged to preserve their heritage before it’s too late.

About 300 Hmong came to Will C. Wood Middle School in south Sacramento on Sunday to preview four new exhibits of photos and artifacts chronicling their recent history: “Hmong in Laos”; “The CIA’s Secret War against the Communists”; “Refugee Camp Life”; and “New Life in California.”

The displays were created by a group of 30 Hmong young professionals, business owners, educators and community leaders throughout California developing a traveling exhibit, the “Hmongstory40” project. They are urging families in Northern and Central California to “be a part of history” by sharing photos, artifacts and memories of their families’ journeys from Laos to Thai refugee camps and on to America.

Wood Assistant Principal See Lor, 42, who was born in Laos, taught for 10 years at Elder Creek Elementary. “Adults would ask the kids, ‘What is Hmong?’ and young Hmong kids had no clue,” she said. “They don’t know why they’re in this country. They don’t know that we’re political refugees forced to come here, not because (we) were dreaming big about America.”

Lor, clad in traditional Hmong silver and embroidery, said the children’s lack of knowledge about their culture and history “touched my heart and I knew I need to help preserve the history and the culture.”

Hmong history dates back more than 3,000 years. The Hmong once had their own kingdom in China, but they were crushed by the Chinese emperors and driven into the mountains of northern Laos, Thailand and Vietnam.

According to the exhibit, “From developing a written language, to advancements in textiles, farming and fashion … the Hmong identity was strengthened, an identity that would be resilient and spirited enough to survive a secret war and eventual exile.”

At age 5, Lor fled with her family to Ban Vinai, the largest of the Thai refugee camps, where more than 40,000 Hmong awaited sponsorships to the United States. Lor, who came with her family to the United States and entered fourth grade in 1986, said she has no idea where she was born. “When I asked my mom, she said, ‘Joking Mountain.’”

Over the past 40 years, an estimated 250,000 Hmong refugees have resettled in the United States. “There are about 30,000 Hmong now in Sacramento and 32,000 in Fresno,” said Lar Yang, one of the exhibit organizers. He said he expects more than 100,000 people will view the traveling exhibit.

Hmong throughout California – inbcluding those in Sacramento Sunday — are being asked to contribute stories and memorabilia to the history project. The full exhibit is scheduled to go on display in Fresno during the Hmong New Year in December, in Merced in May 2016 and in Sacramento in the fall of 2016. Details are at hmongstory40.org.

“Thanks for coming today and caring about your history,” project director Lar Yang told the audience Sunday. “Now is the time to write the truth about our history before our elders are gone. . . . .”

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Exhibition honors Vietnamese female soldiers in Vietnam War

“Exhibition honors Vietnamese female soldiers in Vietnam War”

by Minh Hung via “Thanh Nien News”

The Southern Vietnam Women Museum has launched an exhibition of profiles and keepsakes of Vietnamese women who migrated from the north to the south in 1959 to fight for the liberation of southern Vietnam. Photos: Minh Hung
The exhibition, which opens until June 30 and for free at 202 Vo Thi Sau Street, District 3 has attracted foreign visitors on the first day (April 7). Another exhibition is being held at the same place to honor Vietnamese women’s contribution to the country’s workforce.
Water bottle and medical instrument kit that Labor Hero Do Kim Hong used when searching for the remains of her comrades who died in the Vietnam War.
A scarf that Hong used in her searches for the remains of her comrades. Besides the items, the museum also display hundreds of photos, keepsakes of Vietnamese female soldier who migrated from the north in 1959 to fight for the south’s liberation in a hope to find them or their relatives.
A foreign woman watching an item at the exhibition, placed near a statue of a mother armed with a gun while caring her two children and the slogan that reads: The enemies arriving at our home, even women will fight.
Mats displayed at the exhibition to honor Vietnamese women’s activeness at work.

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Coming Exhibition: Collectionism and Modernity

“Collectionism and Modernity:

Two Case Studies~ The Im Obersteg and Rudolf Staechelin Collections”

Pablo Picasso. Buveuse d’absinthe (The Absinthe Drinker), 1901. Oil on canvas, 81 x 60 cm. Im Obersteg Foundation, permanent loan to the Kunstmuseum Basel. Photography: Mark Gisler, Müllheim

Who:  Museo Nacional Centro de Arte, The Phillips Collection, the Im Obersteg Foundation, the Rudolf Staechelin Foundation

When: Mar. 18, 2015 – Sept. 14, 2015 (View Hours Here)

Where: 

Museo Nacional Centro de Arte
Calle Santa Isabel 52 
Madrid, Spain 28012

How Much:  (View Pricing Here)

More Information: Here

It was not the work of artists, critics and curators alone that made the development of modern and contemporary art possible. Another factor related to both economic and social concerns intervened as a catalyst in the process. This was art collecting.

This exhibition brings together two leading collections of early modernist art that now form part of the holdings of the Kunstmuseum Basel (Basel, Switzerland), the Im Obersteg Collection and the Rudolf Staechelin Collection, offering an opportunity to enjoy works by the most reputed early modernist masters, the vast majority of which have never before been seen in Spain. It is moreover a chance to explore the phenomenon of collecting, with a focus on its centrality to the formation of modern art.

Private collections of early modernism have traditionally been studied and exhibited with an emphasis on the contemplation of the works on display, neglecting the economic, social and political implications inherent to the activity of collecting in a context like that of Europe in the first decades of the 20th century. Nevertheless, collecting is above all discursive, and may be studied as such. A collection of whatever kind is made up not only of the works it contains but also of the narratives it successfully generates. It was in this sense that Walter Benjamin regarded the collector in his Arcades Project, viewing the act of collecting as related to the desire to understand and organize theworld as a cosmos: “Perhaps in this way it is possible to concretize the secret motive that underlies collecting: the fight against dispersion. The great collector is perturbed from the outset by the dispersion and chaos that subsume everything in theworld.”

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Coming Exhibition: Beirut Art Fair

“Beirut Art Fair”

Culture

Who:  ME.NA.SA

When: Sept. 17, 2015 – Sept. 20, 2015 (View Hours Here)

Where: 

Beirut International Exhibition & Leisure Center
Downtown
Beirut, Lebanon

How Much:  (View Pricing Here)

More Information: Here

“Since its inception in 2010, BEIRUT ART FAIR established itself on the international artistic scene with the vision of a ME.NA.SA. labeled art which shaped its identity and power of attraction. In tune with the centers of interest of international collectors, the fair displays the creation of this region which stretches from Morocco to Indonesia, in its wide diversity.

From 17 to 20 September 2015, organizers will receive at BIEL around fifty international modern and contemporary art and design galleries. Exhibiting artists represent all of the trends of current art and express themselves through painting, drawing, sculpture, video, design or performance… Confirmed and developing artists mingle and invite the viewer to share their visions of the world, their dreams or their positions. 

BEIRUT ART FAIR confirms the position of Beirut as the cultural and intellectual capital of the Arab world, at the junction between the East and the West. It is part of the international fairs dedicated to art and serves as a window for the ME.NA.SA. creation which is open to the world.”

“Haystacks painting is officially declared a newly discovered Monet – but why did the Impressionist paint over his signature? “

“Haystacks painting is officially declared a newly discovered Monet – but why did the Impressionist paint over his signature?”

by Lydia Willgress via “Daily Mail

An oil painting has been proven to be one of Claude Monet’s – after scientists discovered the artist painted over his own signature.

The 1891 painting, titled ‘A Haystack in the Evening Sun’, was largely unknown and its origin had never been verified.

But a team of researchers from the University of Jyväskylä in Finland painstakingly unearthed the signature.

An 1891 oil painting - titled 'A Haystack in the Evening Sun' - has been proven to be one of Claude Monet's despite the artist painting over his own signature

The painting has been owned by the Gösta Serlachius Fine Arts Foundation, also in Finland, for more than 50 years.

It is thought to be part of a wider series by Monet with all the pieces illustrating stacks of hay in fields after the harvest season.

The painting was verified after a special camera was used to examine the composition of the work.

This allowed researchers to see different layers including a previous signature by Monet.

It is thought to be part of a wider series by Monet (above) with all the pieces illustrating stacks of hay in fields after the harvest season 

Ilkka Pölönen, a researcher, said the camera scans one ‘line’ at a time.

He told ArtDaily: ‘When the camera is moved using the scanner an image of the whole picture can be obtained.’

The Fine Arts Foundation said the artwork is the first Monet painting to be held in a Finnish public collection.

The other paintings from the series are held at various galleries including the Art Institute of Chicago, the National Gallery of Scotland and the J. Paul Getty Museum in California.

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