Current Exhibition: “Museum of Russian Icons Peeks into Romanov Cupboards”

“Museum of Russian Icons Peeks into Romanov Cupboards”

by Sebastian Smee via “Boston Globe”

Cigar case made between 1908-16 by Fedor Ruckert for Fabergé.


“The Tsar’s Cabinet: Two Hundred Years of Russian Decorative Arts Under the Romanovs”


“Museum of Russian Icons.”
203 Union St.
Clinton, MA 01510
Tues.-Fri. ~ 11:00 a.m. – 3:00 p.m.
Sat. ~ 9:00 a.m. – 3:00 p.m.


March 27, 2014 – May 24, 2014


Adults: $9
Seniors: $5
Students: $2
Children: $2
Children (under 3): Free
Special Free Admission: Varies, for more details, see here.


“CLINTON — The romance of the Romanov dynasty — in odor so like certain over-evolved orchids — has been affiliated, aptly enough, with fragile accessories forever. One thinks, above all, of the products of the House of Fabergé, but more generally of the decorative arts (particularly porcelain) produced specifically for the Romanovs between the 18th and early 20th centuries, when the dynasty came to its bloody and unambiguous end.

The Museum of Russian Icons in Clinton is currently hosting a show called “The Tsar’s Cabinet: Two Hundred Years of Russian Decorative Arts Under the Romanovs” that’s filled with porcelain, as well as glass, lacquer, enamel, and other luxury materials.

Drawn from the private collection of consultant Kathleen Durdin (who, according to a biographical note in the show’s catalog, used to collect magazine advertisements that featured the Forbes Fabergé collection), the show summons the rich history of Romanov rule.

It comes to Clinton at the end of a five-venue tour of Canada and the United States. It was organized by the Muscarelle Museum of Art, which is on the campus of the College of William & Mary, Williamsburg, Va., in collaboration with International Arts and Artists, a nonprofit based in Washington, D.C. . . . .



“Culture Wars in Ukraine: History Lessons”

“Culture Wars in Ukraine: History Lessons”

via “The Economist

Scythian gold helmet

“HE WHO controls the past controls the future.” Orwell’s dictum now faces a new test. Shortly before Russia annexed Crimea, the Bakhchisaray museum, north of Sevastopol, lent some valuable artefacts to an exhibition in the Netherlands. The question as to which country these (and other objects from Crimean museums) should return is creating a diplomatic conundrum.

“Let yourself be overwhelmed by the gold of Crimea,” boasts the Allard Pierson Museum in Amsterdam. Never before has Ukraine lent so many mostly Crimean treasures. The Black Sea peninsula is filled with gems left by invaders over the centuries. The exhibition includes a Scythian gold helmet from 400 BC, pottery from Greek colonisers and a lacquered Chinese box that came along the Silk Road. “We have given our very best objects,” sighs Valentina Mordvintseva, a curator at the Crimean branch of the Institute of Archaeology. She fears she may not see them again.

Who is the rightful owner? On legal grounds, Kiev has the upper hand because the Allard Pierson signed a loan agreement with the Ukrainian state. And as the Netherlands does not recognise Russia’s annexation, Ukraine still owns the property. Yet the Dutch also signed contracts directly with the lending museums. And, says Inge van der Vlies, a professor at the University of Amsterdam, there is an ethical case for returning the objects to them. But there is no guarantee that Russia might not pinch the pieces the moment they arrive.

The Dutch foreign minister, Frans Timmermans, does not wish to meddle but he also wants to avoid being seen to accept a new form of art looting. This may be impossible; whether the gold returns to Crimea or to Kiev, each side will accuse the Dutch of pilfering. . . . .



“Battles Loom Over Crimea’s Cultural Heritage”

“Battles Loom Over Crimea’s Cultural Heritage”

via Reuters

“YALTA, CRIMEA/KYIV — From the 16th-century Tatar Khans’ palace in Bakhchisaray to the former tsarist residence that hosted the World War II Yalta conference, Crimea’s heritage sites have become a source of bitter contention since Russia seized the region from Ukraine.
For Kyiv, which does not recognize Moscow’s annexation of Crimea, losing the cultural and historic legacy of the Black Sea peninsula would be another major blow and Ukraine is readying for long legal battles with Russia.
“We will never give up the valuable heritage in Crimea because that is the property of Ukraine,” the country’s prosecutor general, Oleh Makhnitsky, told Reuters on Wednesday.
Ukraine’s Culture Minister, Yevgen Nishchuk, said Kyiv was amending its laws to seek justice internationally should Russia start removing cultural goods from Crimea or take over formal supervision of the region’s heritage sites.
One exhibition, put together by five museums – including four in Crimea – and currently on display in Amsterdam, has already fallen hostage to the conflict over the region, the worst stand-off between Russia and the West since the Cold War.
Both Crimea’s pro-Russian authorities as well as Kyiv claim ownership of the exhibition, titled “Crimea – Gold and Secrets of the Black Sea”, which features golden artifacts and precious gems dating back to the fourth century BC.
The show is operated by the University of Amsterdam and spokesman Yasha Lange said a legal investigation was going on to determine to whom the collection should be returned after it closes at the end of August.
“The exhibition should return to Crimea,” said Valentina Mordvintseva, who works for Ukraine’s National Academy of Sciences in Crimea’s provincial capital of Simferopol and who helped Amsterdam’s Allard Pierson Museum set up the exhibit.
“So it has become a political issue,” she told Reuters. “If the things end up held in Kyiv, I think it would be bad for Ukraine itself because it would look like vengeance.”
She was referring to a March 16 referendum in Crimea, an impoverished region of two million with a narrow ethnic Russian majority, which yielded an overwhelming victory for those advocating a split from Ukraine to join Russia.
Kyiv and the West dismissed the hastily arranged vote as a sham but Moscow used it to justify formally incorporating Crimea on March 21.
Crimea has since then introduced the Russian ruble as its currency and switched to Moscow time, while Russian troops have taken over Ukrainian military bases, forcing Kyiv to pull out its soldiers with their families.
Tatars, Tsars and Stalin
Prosecutor Makhnitsky said the Justice Ministry in Kyiv was preparing to register lawsuits with international organizations to assert its rights to the historic and cultural sites in Crimea.
The ministry refused immediate comment on what exactly it plans to do, but any such endeavor is likely to be an uphill battle as Russia controls the region.
Underscoring how any efforts from Kyiv could face further obstacles, some directors of Crimea museums have welcomed unification with Russia in the hope it will lead to increased budget support from Moscow.
Valery Naumenko, director of a museum housed in the historic residence of the Crimean Khans in Bakhchisaray, complained that Kyiv had not allocated any funds for the upkeep of the palace, which is dominated by two slender minarets. (more…)

“Russia Condemns Polish Artist Over Statue of Soviet Soldier Raping a Woman”

“Russia Condemns Polish Artist Over Statue of Soviet Soldier Raping a Woman”

via “The Moscow Times”

“The Russian ambassador to Poland has denounced as blasphemous “pseudo-art” a statue depicting a Soviet soldier raping a pregnant woman, which briefly appeared in Gdansk over the weekend.

The offending work of art, entitled “Komm Frau,” German for “Come Here Woman,” had been installed on Gdansk’s Avenue of Victory on Saturday. Polish authorities removed the statue on Sunday, saying that it had been put there illegally, while Szumczyk was brought in for questioning by . . . . “ Read the rest of the article here.

 Jerzy Szumczyk, a twenty-six year old student of the arts, was in the process of researching the Russian Army’s march into Germany when he was struck by what he had been studying.  His studies led him to WWII and Gdansk’s German population (making up nearly 95% of the city in the 1940s) during WWII as Russia moved through Poland on its way to Germany (2).  The army worked (more…)