Asia

Coming Exhibition: The Great Terracotta Army of China’s First Emperor

“The Great Terracotta Army of China’s First Emperor”

The Great Terracotta Army of China's First Emperor

Who:  

Tokyo National Museum

When: Oct. 27, 2015 – February 21, 2016 (Usually open Tuesday through Sunday until 5:00 PM)

Where: 

Tokyo National Museum
13-9 Ueno Park, Taito-ku,
Tokyo, 110-8712, Japan

More Information: Here.

About 2,200 years ago, Qin Shi Huang succeeded in unifying China and became its First Emperor. His legacy is preserved in a vast terracotta army, the discovery of which is considered the greatest archeological find of the 20th century, and which continues to arouse wonder and provide new knowledge. With assistance from institutions such as the Shaanxi Cultural Heritage Promotion Center, this exhibition brings together artifacts with connections to the First Emperor while exploring the “everlasting world” of his terracotta army and its mysteries

Take in long-lost, wartime art attributed to Chihiro

“Take in long-lost, wartime art attributed to Chihiro”

by “The Japan News

The Yomiuri ShimbunThree long-lost paintings believed to have been produced by the popular picture book author Chihiro Iwasaki (1918-1974) are on display at her namesake museum in Tokyo.

The works were discovered last year at the Nippon seinenkan (foundation of Japan-youth center) in Tokyo. One of the three works is making its public debut at the ongoing exhibition, titled “Commemorating 70 Years of Non-war — Chihiro’s Wish for Peace,” at the Chihiro Art Museum Tokyo in Nerima Ward.

The discovery was significant because many of the artist’s works created before and during World War II were lost in air raids.

“We want people to think about the war through Chihiro’s works, which were produced at a time when people were not allowed to freely create art,” said a museum official. . . . .

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The Bengal Famine: How the British engineered the worst genocide in human history for profit

“The Bengal Famine: How the British engineered the worst genocide in human history for profit”

via “World Observer

I hate Indians. They are a beastly people with a beastly religion. The famine was their own fault for breeding like rabbits.”

 -Winston Churchill

The British had a ruthless economic agenda when it came to operating in India and that did not include empathy for native citizens. Under the British Raj, India suffered countless famines. But the worst hit was Bengal. The first of these was in 1770, followed by severe ones in 1783, 1866, 1873, 1892, 1897 and lastly 1943-44. Previously, when famines had hit the country, indigenous rulers were quick with useful responses to avert major disasters. After the advent of the British, most of the famines were a consequence of monsoonal delays along with the exploitation of the country’s natural resources by the British for their own financial gain. Yet they did little to acknowledge the havoc these actions wrought. If anything, they were irritated at the inconveniences in taxing the famines brought about.

Image source

The first of these famines was in 1770 and was ghastly brutal. The first signs indicating the coming of such a huge famine manifested in 1769 and the famine itself went on till 1773. It killed approximately 10 million people, millions more than the Jews incarcerated during the Second World War. It wiped out one third the population of Bengal. John Fiske, in his book “The Unseen World”, wrote that the famine of 1770 in Bengal was far deadlier than the Black Plague that terrorized Europe in the fourteenth century. Under the Mughal rule, peasants were required to pay a tribute of 10-15 per cent of their cash harvest. This ensured a comfortable treasury for the rulers and a wide net of safety for the peasants in case the weather did not hold for future harvests. In 1765 the Treaty of Allahabad was signed and East India Company took over the task of collecting the tributes from the then Mughal emperor Shah Alam II. Overnight the tributes, the British insisted on calling them tributes and not taxes for reasons of suppressing rebellion, increased to 50 percent. The peasants were not even aware that the money had changed hands. They paid, still believing that it went to the Emperor. 

 

Image source

Partial failure of crop was quite a regular occurrence in the Indian peasant’s life. That is why the surplus stock, which remained after paying the tributes, was so important to their livelihood. But with the increased taxation, this surplus deteriorated rapidly. When partial failure of crops came in 1768, this safety net was no longer in place. The rains of 1769 were dismal and herein the first signs of the terrible draught began to appear. The famine occurred mainly in the modern states of West Bengal and Bihar but also hit Orissa, Jharkhand and Bangladesh. Bengal was, of course, the worst hit. Among the worst affected areas were Birbum and Murshidabad in Bengal. Thousands depopulated the area in hopes of finding sustenance elsewhere, only to die of starvation later on. Those who stayed on perished nonetheless. Huge acres of farmland were abandoned. Wilderness started to thrive here, resulting in deep and inhabitable jungle areas. Tirhut, Champaran and Bettiah in Bihar were similarly affected in Bihar.

Abandoned

Prior to this, whenever the possibility of a famine had emerged, the Indian rulers would waive their taxes and see compensatory measures, such as irrigation, instituted to provide as much relief as possible to the stricken farmers. The colonial rulers continued to ignore any warnings that came their way regarding the famine, although starvation had set in from early 1770. Then the deaths started in 1771. That year, the company raised the land tax to 60 per cent in order to recompense themselves for the lost lives of so many peasants. Fewer peasants resulted in less crops that in turn meant less revenue. Hence the ones who did not yet succumb to the famine had to pay double the tax so as to ensure that the British treasury did not suffer any losses during this travesty.

After taking over from the Mughal rulers, the British had issued widespread orders for cash crops to be cultivated. These were intended to be exported. Thus farmers who were used to growing paddy and vegetables . . . .

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7 Times Someone (Accidentally) Ruined a Valuable Work of Art

“7 Times Someone (Accidentally) Ruined a Valuable Work of Art”

by Olivia B. Waxman via “Time”

Whoops.

Taiwan’s Central News Agency (CNA) reports that security camera footage appears to show a young man falling into and punching a hole through a painting said to be worth $1.5 million. Flowers, a 17th century oil painting and one of the few signed works by Italian master Paolo Porpora, was on display at “The Face of Leonardo, Images of a Genius” exhibition at Huashan 1914 Creative Park in Taipei, according to CNA.

Below is a glimpse at other reports of tourists being clumsy at museums:

• In May, two tourists reportedly broke off the crown atop “Statue of the Two Hercules,” which sits in Piazza del Comune, a medieval square in Cremona, Italy, when the pair allegedly tried to climb it and take photos.

• Also in May, the Greek Culture Ministry said a tourist tried to touch a prehistoric, Minoan-era vase at the Museum of Iraklio and knocked it over, suffering a minor leg injury.

• Last March, a student reportedly climbed onto a 19th century statue depicting a “Drunken Satyr” at Academy of Fine Arts of Brera in Milan, Italy, to take a selfie and broke it.

• Last July, an American student got stuck inside Pi Chacan, a stone sculpture of a vagina by Peruvian artist Fernando de la Jara, which sat in front of Tübingen University’s Institute for Microbiology and Virology in Germany.

• In 2006, a man was arrested for smashing three 17th century Chinese porcelain vases said to be worth £500,000 (about $789,000) at the Fitzwilliam Museum in Cambridge, England. . . . .

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Stairway to heaven: Artist creates stunning 1,650ft ladder in the sky with FIREWORKS

http://www.youtube.com/watch?v=lCW1ObmcLWE

“Stairway to heaven: Artist creates stunning 1,650ft ladder in the sky with FIREWORKS”

by Edward Chow and Emily Chan via “Daily Mail

  • Cai Guoqiang used metal and gunpowder for the show in Quanzhou, China
  • The ladder, which measured 18ft wide, was taken up using a hot air balloon
  • Artist drew a draft of the show 21 years ago when he visited Bath, England
  • It was a labour of love for Mr Cai’s elderly grandmother who raised him
  • Same artist designed the spectacular fireworks to open Beijing Olympics  

A Chinese artist has found a unique way to express his love to his grandmother: a gigantic staircase in the air.

These stunning photographs show the 1,650ft ladder, which was made with fireworks, stretch right up into the sky in Quanzhou, south-eastern China, on Monday.

This is the work of Cai Guoqiang, an artist who is originally from the city and now based in New York, reported the People’s Daily Online.

Sky Ladder: A Chinese artist has created this incredible burning ladder that stretches for 1,650ft into the sky

Sky Ladder: A Chinese artist has created this incredible burning ladder that stretches for 1,650ft into the sky

Lit up: The artwork, called 'Sky Ladder', is  the artist's way of thanking his grandmother who raised him

Lit up: The artwork, called ‘Sky Ladder’, is the artist’s way of thanking his grandmother who raised him

The ladder, which was made of metal wire and aluminum, was filled with gunpowder and attached to the bottom of a hot air balloon.

The balloon, which was made with special material, was launched from a boat off the shore of nearby Huiyu Island.

Called the ‘Sky Ladder’, the project started off as a dream for Mr Cai 21 years ago when he was visiting Bath, England. He designed the performance by drawing a draft of the design on the window of an art gallery.

He said he wanted to put on a spectacular fireworks show to thank his grandmother for supporting his dream of being an artist.

‘My grandma was born in a small fishing village in Quanzhou and sold fish to help her grandson realise his artistic dream,’ the artist revealed. . . . .

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