Two agents from U.S. Homeland Security’s ICE unit arrived at my door in September looking for a Polish lady — not a person, but a painting: Melchior Geldorp’s “Portrait of a Lady.” She had, they informed me, been looted by the Nazis from the National Museum in Warsaw.
Unsure if these gentlemen were indeed who they claimed to be, I didn’t invite them in. But I knew exactly what they were seeking: My partner, David, and I had purchased this very portrait — ostensibly the work of a different artist — a decade earlier from a major auction house in New York.
Upon their leaving, I stood dumbfounded, holding a packet of information about the alleged provenance of our painting. After calling David at work to drop this bombshell, I began a Googling frenzy, eventually bringing me to Poland’s Division for Looted Art website. Seconds later I was gawking at an old black-and-white photo of our beloved lady, a beautiful portrait painted on oak panel in 1628. Tears welled in my eyes with the realization that, without question, if this were true we needed to do our duty and get her safely home.
Being an opera singer, I was among a group of vocalists on a government-sponsored tour of Israel some years ago. During a visit to a community center for Holocaust survivors I was asked to sing. The emotion of being surrounded by people who had prevailed through such unimaginable horrors was overwhelming, and I found myself unable. Excusing myself, I attempted to make up for it by spinning several of the ladies around the dance floor — all the while trying not to look down at the numbers tattooed on their wrists.
Now this memory flooded back to me, and I found myself once again in tears, hyper-aware of how Nazi atrocities affect us still to this day.
The toll of World War II in Poland — including the deaths of 6 million Poles, Jews, and other outcasts, including homosexuals — is unimaginable. Being gay men, David and I feel a personal connection with these losses and are conscious of how political shiftings can lead to vulnerability. This, added to the knowledge that Poland’s LGBTQ community is still in a struggle for its basic rights, has weighed heavily on our minds.
The 50 images were found etched into rock at the Armintxe cave in Lekeitio in Spain’s Basque region and depict animals rarely seen in Paleolithic art, such as lions.
Experts working with the Provincial Council of Bizkaia made the the discovery of the ancient cave artwork, which was reportedly located beneath a building in the small coastal town and confirmed to the public on Thursday.
Archaeologists believe the drawings are identical to ones found in the Pyrenees, according to Basque news outlet Deia, which suggests the people who created them were in close contact.
The artwork contains images of five goats, two bison, 18 horses and a pair of lions. A series of circles and lines also make up the ancient art find.
Local official Andoni Iturbe told AFP how they were found in an “extremely difficult” cave to access – a place which will remain closed to the public.
Biscay council colleague Unai Rementeria has described the etchings as a “treasure of humanity.”
Images from the site reveal how the artwork could easily have been be missed due to their faint outlines.
Nine miles from the volcano the Maasai call the “Mountain of God,” researchers have cataloged a spectacularly rare find: an enormous set of well-preserved human footprints left in the mud between 5,000 and 19,000 years ago.
The more than 400 footprints cover an area slightly larger than a tennis court, crisscrossing the dark gray mudflat of Engare Sero, on the southern shore of Tanzania’s Lake Natron. No other site in Africa has as many ancient Homo sapiens footprints—making it a treasure trove for scientists trying to tell the story of humankind’s earliest days. . . .
“Turkey: Church discovered in world’s biggest underground city in Nevşehir with never-before-seen frescos”
An 1,500-year-old underground church has been discovered in Turkey with never-before-seen frescoes depicting Jesus and “bad souls being killed”. The church was found in the world’s largest known underground city in the Cappadocia region of central Turkey.
The frescoes have been described as depicting Jesus rising into the sky – known in Christianity as the Ascension – and the destroying of evil – known as the Last Judgement. The discovery of the church itself – which archaeologists suggest could be more than 1,500 years old – still has secrets to be revealed, as so far only the roof and uppermost part of the walls have been uncovered.
“Only a few of the paintings have been revealed,” said researcher Ali Aydin, who told the Hurriyet Daily News: “There are important paintings in the front part of the church showing the crucifixion of Jesus and his ascension to heaven. There are also frescoes showing the apostles, the saints and other prophets Moses and Elyesa.”
An urban housing project was taking place in the city of Nevşehir, where the church was found. It is part of a huge number of early dwellings, which form the largest known ancient underground city. The underground city itself was discovered in 2014, and around four miles of tunnels have been uncovered. The experts believe people lived here around 5,000 years ago.
Archaeologists have had to pause their excavations, however, as the winter humidity can damage the paintings. However, they have managed to reveal the ceiling of the structure which mainly sits underground, and were fascinated by the huge frescoes which can be found across the inside of the roof and top of the walls.
“We know that such frescoes have so far never been seen in any other church,” said Hasan Ünver, mayor of Nevşehir. “It was built underground and has original frescoes that have survived to this day. This place is even bigger than the other historical churches in Cappadocia.
“It is reported that some of the frescoes here are unique. There are exciting depictions like fish falling from the hand of Jesus Christ, him rising up into the sky, and the bad souls being killed. When the church is completely revealed, Cappadocia could become an even bigger pilgrimage center of Orthodoxy,.”