Ancient

Huge tomb of Celtic prince unearthed in France: ‘Exceptional’ 2,500-year-old burial

“Huge tomb of Celtic prince unearthed in France:

‘Exceptional’ 2,500-year-old burial”

The tomb of an Iron Age Celtic prince has been unearthed in a small French town.

The ‘exceptional’ grave, crammed with Greek and possibly Etruscan artefacts, was discovered in a business zone on the outskirts of Lavau in France’s Champagne region.

The prince is buried with his chariot at the centre of a huge mound, 130 feet (40 metres) across, which has been dated to the 5th Century BC.

The biggest find at the site was a huge wine cauldron. Standing on the handles of the cauldron, is the Greek god Acheloos. The river deity is shown with horns, a beard, the ears of a bull and a triple mustache

A team from the National Archaeological Research Institute, Inrap has been excavating the site since October last year.

They recently dated it to the end of the First Iron Age – a period characterised by the widespread use of the metal.

Its discovery could shed light on Iron Age European trade, researchers say.

The 2,500-year-old burial mound has at its heart a 14 square metre burial chamber, not yet opened, of an ancient royal.

An Iron Age Celtic prince lay buried with his chariot at the center of this huge mound in the Champagne region of France, according to the country’s National Archaeological Research Institute (Inrap)

Eight lioness heads decorate the edge of the cauldron (right). Inside the cauldron, the archaeologists found a ceramic wine vessel, called oniochoe (left)

A team from the National Archaeological Research Institute, Inrap has been excavating the site since October last year. Pictured is part of the cauldron found

‘It is probably a local Celtic prince,’ Inrap president Dominique Garcia told journalists on a field visit.

WHAT WERE THE KEY FINDS?

The prince is buried with his chariot at the centre of a huge mound. His chamber has not yet been opened.

This biggest find was a large bronze-decorated cauldron that was used to store watered-down wine.

The cauldron has four circular handles decorated with bronze heads that depict the Greek god Acheloos.

Another interesting discovery was a perforated silver spoon that was part of the banquet utensils, presumably to filter the wine.

The mausoleum contained a decorated ceramic wine pitcher made by the Greeks.

The most exciting find, he said, was a large bronze-decorated cauldron that was used to store watered-down wine. It appears to have been made by Etruscan craftsmen from an area that is today in Italy.

The cauldron has four circular handles decorated with bronze heads that depict the Greek god Acheloos.

The river deity is shown with horns, a beard, the ears of a bull and a triple mustache.

Eight lioness heads decorate the edge of the cauldron.

The mausoleum contained a decorated ceramic wine pitcher made by the Greeks.

Decorations on the vessel reveal the god Dionysus, lying under a vine and facing a woman.

The archaeologists also found remains of a iron wheel, from a chariot buried with the prince.

Another interesting discovery was a perforated silver spoon that was part of the banquet utensils, presumably to filter the wine. . . . .

by Ellie Zolgfagharifard via “Daily Mail“
READ MORE

What the Sumerians did for art

“What the Sumerians did for art”

by P.W. via “The Economist“

GOLD-encrusted and splendid, Tutankhamun’s tomb changed perceptions of archaeology in Europe and the United States on its discovery by Howard Carter in 1922, and the resulting wave of Egyptomania influenced everything from fashion to furniture. “From Ancient to Modern: Archaeology and Aesthetics”, a new exhibition at the Institute for the Study of the Ancient World (ISAW) in New York, explores the impact that the Tutankhamun hoard had on two near contemporaries of Carter, Leonard Woolley and Henri Frankfort, who worked on separate digs in what is now southern Iraq—as well as the public response to their finds.

The pieces that the English Woolley and the Dutch Frankfort uncovered were from the Sumerian civilisation (c.3100BC-2100BC) and helped change the public perception of ancient societies and artefacts. They included jewels and luxury goods at Ur (Woolley) and dozens of stone carvings from the nearby Diyala Valley (Frankfort).

Woolley’s team struck gold, literally and metaphorically, in 1927. A large cemetery was uncovered with 1,800 graves, including 16 that were said to be royal tombs, since they contained bodies ornamented with precious materials. The remains of Queen Puabi, buried with a retinue of murdered servants to ensure her care in the afterlife, became Woolley’s Tutankhamun. Her elaborate gold headdress, topped by a spectacular star-studded comb, was reconstructed by Woolley’s wife, as was the queen’s cloak of long strands of semiprecious stones. An imagined facsimile of the queen wearing this garb was soon on display at the British Museum.

The stone figures (pictured) found by Frankfort’s mission, which started work in 1930, depict men with huge eyes and bare chests. Their long skirts seem to have been made of feathers or leaves, though scholars now say the material was cotton tufts. From the first Frankfort referred to them as sculptures not artefacts. For him, as for thousands after, they were works of art.

Following Carter’s example, the two archaeologists sought to ensure maximum publicity for their finds, and were rewarded with some lurid news stories. “Evidence that the Queen of Ancient Ur was clubbed to Death,” screamed a 1928 piece in the Washington Herald. “Grim Tragedy of Wicked Queen Shubad’s 100 Poisoned Slaves,” ran a 1934 account in thePhiladelphia Inquirer. Agatha Christie’s 1935 mystery, “Murder in Mesopotamia”, was inspired by Woolley’s dig.

ISAW’s fascinating, tightly packed show has many jewels and ten of the stone figures, as well as contemporary archaeological records with detailed drawings and measurements, on-the-spot diaries and photographs of the teams. In a second room are works by 20th- and 21st-century artists who saw the stone carvings, among them Henry Moore and Alberto Giacometti. But this display, while attractive, is unpersuasive: an artist can see an object, even be captivated by it, without it having a lasting influence; yet such an influence is claimed. While the drawings Giacometti made in 1935 from Sumerian sculpture on view at the Louvre are of some interest, it was Etruscan art that more powerfully influenced his work. As for the cast-concrete Moore figure from 1929 that is on display, the fact that the work’s folded hands may owe something to the Sumerian statues does nothing to support the idea that Moore’s subsequent more celebrated sculpture was similarly influenced.

Islamic Coins Discovered in Viking’s Shield Boss

“Islamic Coins Discovered in Viking’s Shield Boss”

via “Archaeology.com“

Last year, a metal detectorist discovered a sword from the Viking Age in a field in central Norway. Archaeologists from the Museum of Natural History and Archaeology at the Norwegian University of Science and Technology excavated the site, and found a grave dating to about A.D. 950 that contained the remains of a Viking and his shield, in addition to the inscribed, high-quality sword. Hidden inside the shield boss they found a leather purse that contained several Islamic coins. Norwegian Vikings arrived in Spain in the 800s, where they may have come in contact with Islamic culture, or perhaps the coins were obtained through trade. “We have not managed to find out who owned the sword, but we know that he was a well-traveled man,” archaeologist Ingrid Ystgaard told NRK, as reported by ThorNews. The shield boss also bears combat scars. “The shield boss has a clear cut mark by an ax or a sword. If he died in combat, we do not know,” added Ystgaard. To read about the earliest Norse raids, see “The First Vikings.”

READ ORIGINAL

Details on lost Ancient Egyptian queen’s tomb emerge

“Details on lost Ancient Egyptian queen’s tomb emerge”

via “Daily News Egypt“

Czech archaeological team and AUC professor discover tomb of an Ancient Egyptian queen at the Abusir necropolis, southwest of Cairo

New insights have come to light into the history of a lost ancient queen discovered earlier this year at the Abusir necropolis, southwest of Cairo.

The insights come as part of work done by Salima Ikram, a professor of Egyptology and head of the Egyptology unit at the American University in Cairo (AUC) and a Czech archaeological team.

The site of the queen’s tomb, which the Czechs have been excavating for the past 55 years, now offers insight into understanding the royal family’s history during the Old Kingdom.

“What is fascinating about the tomb are the inscriptions, because they show that this is a completely new member of the royal family of the Fifth Dynasty,” said Miroslav Barta, director of the Czech Institute of Egyptology.

Within the tomb, the inscriptions identified her as “king’s wife” as well as “mother of the king” according to an AUC press release. The inscriptions on her burial chamber also bore the name “Khentkaus”, which means “the one foremost of her souls”. The fact that two previous queens had the same name, along with the aforementioned inscriptions, indicates that the women who was laid to rest was in fact a queen.

The archaeological team discovered 24 limestone vessels, copper tools and small fragments of bone. (Photo handout from AUC)

Adding the queen to the lineage of ancient Egyptian royalty makes her Queen Khentkaus III, who, according to Barta, was most likely married to King Raneferef because of the proximity of her tomb is his.

Further investigation of the tomb has helped archaeologists understand the role that women held in ancient Egypt.

3,300-year-old Mycenaean tomb and precious artifacts found in Central Greece

“3,300-year-old Mycenaean tomb and precious artifacts found in Central Greece”

by April Holloway via “Ancient Origins“

Archaeologists have announced the discovery of a vaulted Mycenaean tomb near Amfissa, central Greece, containing human remains and a hoard of treasures. The 3,300-year-old tomb is the first of its kind to be found in the region, and one of only a few that have been found untouched. The finding is expected to provide valuable information regarding the habitation, burial customs, and possessions of the Mycenaeans in the 2nd millennium BC. According to the Greek Reporter, the ancient tomb was found during an irrigation project that required excavation in the area. A preliminary analysis of the monument revealed that grave robbers had tried to gain access to the interior of the tomb in the past, but had failed, allowing the precious grave goods to remain untouched over the millennia. The tomb is a tholos, or beehive tomb, characterized by a vaulted ceiling created by the superposition of successively smaller rings of mudbricks or, more often, stones. In Greece, the vaulted tholoi are a monumental Late Bronze Age development. After about 1500 BCE, tholoi became more widespread and are found in every part of the Mycenaean heartland. They are typically cut into the slope of a hillside so that only the upper third of the vaulted chamber was above ground level. This masonry was then concealed with a relatively small mound of earth. After a burial, the entrance to the tomb was filled in with soil, leaving a small mound with most of the tomb underground. One of the finest examples is the Treasury of Atreus in Mycenae. The Treasury of Atreus in Mycenae, Greece (public domain) Lamiastar.gr reports that the newly-discovered tomb is 9 meters (30ft) long with a circular burial chamber measuring 5.9 meters (19ft) in diameter. The vaulted ceiling had collapsed but the walls of the chamber are well-preserved and maintained a height of almost 3 meters (10ft). Within the burial chamber, archaeologists found a large number of human bones. The dead had been buried in the floor with their personal belongings until complete decomposition. Their bones had then been pushed near the walls of the tomb in order to create space for newer burials and a few of these were better preserved than the rest. The research team, led by chief archaeologist Athanasia Psalti, unearthed many unique and valuable artifacts inside the tomb, including more than forty pieces of painted pottery, bronze vases, small vessels for storing aromatic oils, gold and bronze rings, one of which had an engraved decoration, buttons made of semi-precious stones, two bronze daggers, spearheads, female and zoomorphic idols and a large number of seals with animal, floral and linear motives. . . .