“Young Designers’ Exuberant SCADpad Homes Fit in a Parking Spot”

There is a fascinating trend in the younger American generation to leave behind the large, two- and three- story homes that have for so long controlled our domestic architecture. Instead the current movement is toward smaller, more economical housing that is more affordable and yet still stylish.  Designers have come a long way in making these places attractive to those who live alone and appreciate these smaller places.  As one of those new graduates who cannot even begin to dream of affording a small “traditional” home in the near (or long) future, I think this is amazing movement truly adapts to the needs of present society. Plus, I was beginning to grow tired of the generic sameness of most housing architecture; this is the first real innovation I have seen in a while. **  DB

“Young Designers’ Exuberant SCADpad Homes Fit in a Parking Spot”

by Ilyce R. Glink via “Yahoo!

Photos: Young designers' exuberant SCADpad homes fit in a parking spot

“Imagine an urban parking garage, emptied of its cars and filled instead with dozens of parking-spot-size homes.

It’s the vision of a group of more than 80 students, alumni and educators from the Savannah College of Art and Design in Georgia. They have been experimenting with these car-sized homes, called SCADpads, that could be plunked into any parking garage and instantly provide housing in overpriced downtown areas of major cities. The units are prototypes for urban housing, but students will live in them first to test out the concept.

“We’re targeting decks built in the middle of the 20th century, located in the heart of a city,” says Christian Sottile, dean of the school of building arts at SCAD. “Many of these were built as fallout shelters and will basically be there until the end of time.”

For its experiment, the folks at SCAD built their beta SCADpad neighborhood in the college’s midtown Atlanta parking garage, with incredible views of the city’s sprawling skyline. They took over the fourth floor of the garage, using eight parking spaces to create the three pads. The pads reflect the design aesthetics of the college’s three campuses: SCADpad North America for its Savannah campus, SCADpad Europe reflecting the campus in Lacoste, France, and SCADpad Asia reflecting its Hong Kong campus. Each pad takes up two parking spaces—one for the unit itself and the other for an outdoor garden area—and then there’s space for the community garden and a workbench. . . . .”

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Everyone’s a Piano (Wo)Man in Lynchburg!

Lynchburg, VA (my other hometown) has decided to put up five different pianos across downtown for people to stop and play.  Just to remind us that music doesn’t have to be planned or come with great preparation ~ sometimes it can just come from the heart.

Water Art!

“How Christie’s Is Winning the Art Auction Wars”

“How Christie’s Is Winning the Art Auction Wars”

by Diane Brady via BloombergBusinessWeek

Untitled, by Martin Kippenberger, sold for $18.6 million, the highest bid at Christie’s May 12 auction

“Christie’s, the 248-year-old auction house, is taking off its suit and putting on some ripped jeans. To promote its May 12 auction, If I Live I’ll See You Tuesday, the company posted a YouTube video of skateboarder Chris Martin careening past multimillion-dollar art to the indie hit Sail by Awolnation. The curator, Loic Gouzer, a handsome contemporary art expert who’s been linked to Mad Men star January Jones, hyped the works on his Instagram feed. Last July, Christie’s held a charity sale hosted by Leonardo DiCaprio (who happens to be a friend of Gouzer’s). And during 2013 it ran 49 Web-only, youth-friendly auctions—prints went for as little as a few hundred dollars. The initiatives have helped bring in a record $7.1 billion in sales in the past year, compared with $6.3 billion at rival Sotheby’s(BID).

All this was dreamed up by Christie’s chief executive officer, Steven Murphy. Unlike his competitors, Murphy has no prior fine art expertise (or noble European lineage) and says that selling artists’ work isn’t that different from his former jobs as president of Angel Records and publishing house Rodale. Soon after he arrived at Christie’s in 2010, he began allowing buyers to bid on works online. It seems obvious, but for a fusty auction house it was a revolutionary tactic. . . . .”

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“Over 1,000 Ancient Buddha Statues Uncovered in China”

“Over 1,000 Ancient Buddha Statues Uncovered in China”

by April Holloway via “Epoch Times

“Archaeologists have discovered more than 1,000 ancient Buddha statues in three stone caves on a cliff-face in Yangqu County, in north China’s Shanxi Province, according to a report in China.org.cn. Although official dating has not yet been carried out, it is believed that the statues date back to the Ming Dynasty.

The Ming dynasty, was the ruling dynasty of China for 276 years (1368–1644 AD) following the collapse of the Mongol-led Yuan dynasty. The Ming, described by some as “one of the greatest eras of orderly government and social stability in human history”, was the last dynasty in China ruled by ethnic Han Chinese. The creation of stone Buddha statues reached its peak during the period from the Northern and Southern Dynasties (420-589) to the Tang Dynasty (618-907), so it is rare to find stone Buddha statues from the Ming Dynasty.

According to traditional accounts, Buddhism was introduced in China during the Han dynasty (206 BC-220 AD) after an emperor dreamed of a flying golden man thought to be the Buddha. Although the archaeological record confirms that Buddhism was introduced sometime during the Han dynasty, it did not flourish in China until the Six Dynasties period (220-589 AD). The year 67 CE saw Buddhism’s official introduction to China with the coming of the two monks Moton and Chufarlan.

The latest finding including stone statues carved into the cave walls and measuring 12 to 25 centimetres long, said Yang Jifu, director of the county’s cultural heritage tourism bureau. Yang said two of the caves had been restored in the Ming Dynasty, according to the record on two steles in the caves. . . . .”

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