Amulet of Thoth (in form of an Ibis) and Maat
(Egyptian Ptolemaic period 305–30 BC).
Part of the St. Louis Art Museum Ancient Art Collection since 1940.

With the seemingly constant discovery of new artwork looted by the Nazis and lost to time, it is important for the original owners to keep their eyes out for their pieces. As such, the German government, via the Koordinierungsstelle Magdeburg – Germany’s main office for recording lost/stolen cultural resources, has just set up a new website to record these losses. (And can I just say I love a language that has 20 letters in a word). The Lost Art Internet Database was set up to carefully record/photograph/register all the pieces of cultural property that were looted during WWII.
The are two parts to the database: the “Search Requests” and the “Found-Objects Report.” The Search Requests is a place where “public institutions or private individuals or institutions” who lost their cultural property because of the “National Socialist rule” or WWII can post a search request on the website. The website will publish this as a world-wide request that people keep an eye out for your property. The Found-Objects Report is where cultural art/artifacts are listed when it is verified (or where the lack of knowledge about their history suggests) that they are stolen property. You can go here and skim through the lists to see if your art/cultural piece is on the list.
Apparently the website was so popular, it’s actually crashed a couple of times due to the vast numbers trying to get on. (1) Do you remember the cultural pieces discovered in Munich recently? Well that’s what triggered the new interest in the site, as the government is posting photos and details of the works in hopes that people who recognize and claim them. As of the 11th, 25 paintings were listed, and as many as 590 more could be added from that collection over time. Apparently the US State Department (why them, I’m not sure) is urging Germany to “publish the list of works, eliminate the country’s 30-year statute of limitations on stolen art and establish a formal claims process for victims to recover their works.” (2) At least the first part is done; now we’ll see what happens to the second half of that request. Germany has said that it will arrange a task force with “at least six researchers specializing in [sic] tracing the ownership of artworks.” (3) Hopefully, careful organization will ensure that these works find their way into the right hands.
Please note that it seems that the website has undergone quite a bit of change recently. A lot of stuff that used to be there isn’t anymore (they might be re-adding it over time). If you are interested, you can plug in the URL to the WayBack Machine” and find earlier versions of the site. Note-worthy is the lack of “Publications” on the new site, as well as a more complex layout. Luckily, there’s been an English version of the site for a while! So if you are interested in more than the recent publication of the Munich items, then the older version might be worth checking out.
I had never heard of Arthur Pinajian before I read the Telegraph’s article, but I find myself fascinated with his art. Pinajian lived through two world wars and the great depression, born in 1914 during WWI and surviving until 1999, the end of the century. (1) Kurt Vonnegut’s novelic work “Bluebeard: The Autobiography of Rabo Karabekian,“ actually retells the story of Pinajian’s life, whose real life was really very private. (1) He was one of the great heroes of WWII, but he soon surrendered weapons for more artistic tools, when he began as a comic book artist for Marvel (3). However, Pinajian found himself more readily drawn to the abstractionist style of art and he eventually move to Long Island, fading into obscurity for the remainder of his life. (1) Pinajian another of the many artists more appreciated upon death than during life, and thousands of his paintings remained buried in garages and boxes until as late as the last decade. (2)

Typically, I am not overly fond of abstract art, in fact I don’t particularly like the painting shown at the top of The Telegraph’s article. However, in several of his works, Pinajian successfully pulls together both abstraction and realism. I appreciate how his works depict landscapes through simple brush strokes and vibrant mixed colors. He utilizes the coloring beautifully to depict contrast and depth, without losing any of the meaning which I feel so much abstract art does. Here are my particular favorites:
