Art & Culture

Coming Exhibition: Abu Dhabi Art Fair

“Abu Dhabi Art Fair”

Who: Abu Dhabi Art

When: Nov. 5, 2015 – Nov. 8, 2014 (View Hours Here)

Where:

Saadiyat Island
UAE Pavillion
PO BOX 126888 Abu Dhabi
UAE – Abu Dhabi
United Arab Emirates
+971 2 657 5800

How Much: (View Pricing Here)

More Information: Here

“Abu Dhabi Art presents museum quality artworks from modern, contemporary and design galleries. This year it includes a wide spectrum of installations and large-scale sculptures, as well as a new section titled Artists’ Waves that places the discovery and re-discovery of artists at the core of Abu Dhabi Art, through a curated exhibition.”

Egypt Ups Efforts to Protect Cultural Heritage

by Elisabeth Lehmann via “DW”

Protecting valuable antiquities is a serious task in Egypt, where grave robbery has increased dramatically since 2011. German researchers accused of the crime are currently standing trial in Cairo.

“Look at the cracks – the pyramids are really in danger,” says Osama Karar, as he points to the screen of his laptop, and flicks through countless photos showing damage to the Great Pyramid of Giza. Karar and his colleagues have founded an organization called The People’s Front in Defence of Relics.

He turns from his laptop, and looks outside at the huge pyramid stretching out before him. “These stones can’t speak, so we try and give them a voice,” he says.

Indeed, the stones of the Great Pyramid would have a lot to tell. For example, that in April 2013, a German research team led by the Chemnitz-based experimental archaeologist Dominique Görlitz entered a small room under the tip of the pyramid – the King’s Chamber belonging to Pharaoh Khufu.

The team took samples from the murals and cartouche, and brought them back to Germany for laboratory analysis. And all this without the proper permit. They were granted a partial permit, as Ali Ahmad Ali from the Ministry of State for Antiquities in Cairo stressed, but “the permit does not cover a visit to the upper chamber. And the permit says: only visit, do not take any parts.”

On Saturday (7.06.2014), the trial of the research team – made up of three Germans and their six Egyptian assistants – got underway in Cairo. They are accused of vandalism offenses in the Great Pyramid of Giza, and at worst, could face between three and five years in prison.

Chinese Artist: Chang Dai-Chien

“Splashed Color Landscape” by Daiqien (1965)

Artists

Chang Dai-Chien (Zhang Daqian) was an outrageously popular and eclectic 20th Century Chinese artist and forger. Born in the Sichuan province, he initially studied art under his mother. In those early days, he began with outline drawings of animals and flowers ~ subjects he would perfect through the years. As a young man, he studied painting, weaving, and textile dying and design in Japan. Upon returning to China, he began studying and replication several 17th century Chinese calligraphers and painters. He earned his money selling these and his own works for some time. Although he would eventually travel around quite a bit, watching and learning from artists around the world, his style was eminently Chinese. That said, he earned a reputation for incorporating Brazilian and American techniques into his work, thus introducing new concepts of “Chinese” art. (more…)

Peru: Recovery of Cultural Heritage Increases

by Paola Pinedo García via “InfoSurHoy“

LIMA, Peru – Peruvian cultural artifacts illegally sold on the international black market are being returned to museums and archeological sites from where they never should have left.

The joint efforts by the Ministry of Culture and the Ministry of Foreign Affairs have led to the repatriation of 3,018 pieces belonging to Peru’s cultural heritage since 2007.

Alongside the repatriated items, an additional 31,640 artifacts were recovered in Peru, according to Katie Navarro Vásquez, the director of recoveries in the General Directorate of Cultural Heritage Defense at the Ministry of Culture, which is dedicated to preventing and controlling the illegal trafficking in artifacts, and recovering and repatriating them domestically and internationally.

Prevention and security measures are carried out at three units the Ministry of Culture has established in Peru – at Lima’s Jorge Chávez International Airport, the Santa Rosa complex on the southern border with Chile and in the Postal Services office (Serpost) in the Peruvian capital.

“Our figures for rescued and repatriated items lead us to believe that our control units at strategic exit points from the country have definitely deterred traffickers from trying to smuggle heritage items through these points,” Navarro said.

Ongoing luggage and parcel checks at these three places are carried out by Ministry of Culture personnel alongside officers from the National Police and Customs, she added.

“Peru realized that the loss of its heritage is like somebody ripping out the pieces of our living jigsaw puzzle,” said Cecilia Bákula Budge, former director of the National Institute of Culture of Peru – today the Ministry of Culture – and current head of Peru’s Central Reserve Bank Museum. “I am confident that though we still have a lot to do, we are making progress on an uphill battle in terms of recoveries.”

Thanks to this, 340 cultural pieces destined to be smuggled out of the country were prevented from leaving Peru between January and May after 1,044 pieces were kept from being smuggled out of the country in 2013 and 1,870 in 2012.

“There has been a downward trend since 2007 in trafficking of cultural artifacts,” Navarro said. “This [is due to] our three units’ work. Now, [those] trying to smuggle cultural heritage are aware that we are at the main departure points in the country and that deters them. For us, it’s important that cultural heritage does not cross the border since, once outside, rescuing the pieces – though not impossible – is certainly more difficult [due to] long repatriation processes.” . . . .

Uzbekistan Rediscovers Lost Culture in the Craft of Silk Road Paper Makers

“Uzbekistan Rediscovers Lost Culture in the Craft of Silk Road Paper Makers”

by Komila Nabiyeva via “Guardian Weekly

Zarif Mukhtarov’s dream came true. He is standing in front of his workshop in the village of Koni Ghil, 5km from the Uzbek city ofSamarkand. His eyes shine with pride as he tells his story. Mukhtarov, 58, had tried for years to discover the lost art of Samarkand paper-making. Today, visitors to one of the only workshops for handmade paper in Central Asia can learn the secrets of a 1,000-year-old production process.

Samarkand paper was renowned for its quality. Many Persian and Arabic manuscripts of the ninth and 10th centuries were written on it. “The world’s best paper is produced in Samarkand,” wrote Babur, a descendant of the Central Asian ruler Tamerlane and founder of theMughal dynasty in India in the 16th century.

It was betrayal that brought the paper-making craft to Samarkand. In the year 751 the Chinese invaded Central Asia, but the ruler of Samarkanddefeated their troops and captured many thousands of soldiers. To save their lives, the story goes, craftsmen among the captives revealed their knowledge of paper-making to their captors. From then on, Samarkand became a centre for paper production. But following Russian colonisation of the Silk Road city in the 19th century and the start of industrial production, the ancient recipe got lost.

In 1995 Mukhtarov, a professional ceramist, took part in a UN conference dedicated to lost culture in Uzbekistan. Samarkand paper was one of the topics, and he started to dream of rediscovering how to make it. After five years of experiments with cotton, rag waste and flax, Mukhtarov became convinced that the best paper was made from the bark of the mulberry tree, which grows all over Samarkand.

In 2001 he started to build his own paper workshop. Some funding was provided by US and Japanese foundations, but most of the money was invested by Mukhtarov himself.

“At first my friends thought I was insane,” he recalls. “My wife scolded me regularly. We had to [save enough money to] marry both our children and I kept borrowing money for the workshop. At the end, I had to sell our car and my wife’s gold jewellery to finish the construction.”

Today the paper workshop is a must-see site for tourists coming to Uzbekistan. Mukhtarov has no website and does not advertise. Yet, each year some 5,000 visitors seek out his picturesque mud-brick workshop with a chattering wooden watermill by the Siyob river. The location was no coincidence; once, there were 400 watermills around Samarkand, many of them in Koni Ghil, Mukhtarov says.

Visitors find a variety of products: silk-like or hairy paper in cream, blue, yellow or pink; notepads and wallets; even puppets and masks. All of them are made of paper. Mukhtarov’s workers even produce Uzbek costumes with traditional embroidery. . . . .