Exhibit

Coming Exhibition: Fabric of Belonging: Exotic Quilts From Pakistan & India

“Fabric of Belonging: Exotic Quilts From Pakistan & India”

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Who:  BYU Museum of Art

When: June 27, 2014 – Nov. 28, 2015 (Mon-Sat. 10 a.m. – 9 p.m.)

Where: 

Brigham Young University Museum of Art
North Campus Drive
Provo, Utah 84602

How Much:  Generally Free, some special exhibits require a ticket.

More Information: Here.

“Showcasing ralli quilts from the exceptional contemporary textile collection of Patricia Ormsby Stoddard, Fabric of Belonging explores how historical traditions contribute to the deep sense of belonging that ralli quilts provide for people living in the areas of Sindh, Pakistan and West India. For their owners, ralli quilts are a personal form of identification that connects them with their region and their heritage.

Both Hindu and Muslim women make ralli quilts. Without quilting frames or modern fabrics, they create these stunning works of art with thousands of minute, closely sewn quilting stitches and exquisite pieced, appliqued and embroidered patterns.
 
Stoddard, who holds a Ph.D. in textiles and served as an assistant professor at Brigham Young University, collected these remarkable quilts while living with her husband in Pakistan for several years. She is the author of Ralli Quilts: Traditional Textiles from Pakistan and India (2003). Through her collecting and research, she has brought the beauty of rallis to the attention of the world. . . .”

 

Coming Exhibition: A Parallel Tale ~ Taipei in 80s X Hong Kong in 90s

“A Parallel Tale ~ Taipei in 80s X Hong Kong in 90s”

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Who:  

Comic Home Base
Hong Kong Arts Centre
Dala Publishing Company

When: June 25, 2014 – Aug. 31, 2014 (Sat.-Sun 10 a.m. – 8 p.m.)

Where: 

Comic Home Base
North Campus Drive
Provo, Utah 84602

How Much:  Free!

More Information: Here and Here.

Participating Hong Kong Comics Artist: Fung Chi-ming, Ho Ka-fai, Seeman Ho, Li Chi-tak, Justin Wong 
Participating Taipei Comics Artist: 61Chi, Sean Chuang, Amin Lee, Push Comic (Ah Tui), Ahn Zhe (Tu Tse-Wei) 

Comics artists from Hong Kong and Taipei set out on a fascinating time-travel trip with their drawing pens, taking a stroll down the memory lane to trace the footprints they left in the two cities in the 80s and 90s. Stories and scenes that pop up in the artists’ minds as they revisit the old times are transformed into pages of original comics – some light-hearted and some thought-provoking – to illuminate their memories of the people and things from a few decades ago, and even the social and cultural phenomena at that time. 

Featuring 10 comics artists and 10 comics works loaded with nostalgia, the exhibition takes everyone to travel backward in time, returning to the Hong Kong and Taiwan in the sweet, old past. The exhibition was held in Taiwan as one of the programmes of the “Hong Kong Week 2013@Taipei” and received overwhelming response. The exhibition will be shown in Hong Kong in this summer. In addition to the exhibition, there are also a series of side events aiming to offer the general public valuable insight into the comics and publishing industry both in the past and at present, as well as the startling artistic ability and creative talent of the artists from Hong Kong and Taiwan. 

Side Events

– 1+1 Live Drawing Demonstration

– Sharing Session: I Am a Comics Artist/ Publisher!

Coming Exhibition: Second Sight

“Second Sight”

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What: Works by artist S M Sultan from the private collection of Abul Khair.

Who:  Bengal Foundation

When: May 23, 2014 – July. 13, 2014 (Mon-Sat. 12 p.m. – 8 p.m.)

Where: 

Daily Star-Bengal Arts Precinct
64-65 Kazi Nazrul Islam Avenue
Karwan Bazar, Dhaka

How Much:  Looks free, but I couldn’t find a price.

More Information: Here.

“On Friday night Bengal Foundation’s fourth arts venue in Dhaka,’Daily Star-Bengal Arts Precinct’ was jointly launched by Sir Fazle Hasan Abed, Founder and Chairperson of BRAC and Dr. Anisuzzaman, Professor Emeritus University of Dhaka who also spoke on the occasion. Mahfuz Anam, Editor and Publisher of The Daily Star Newspaper, Abul Khair, Chairman of Bengal Foundation, Luva Nahid Choudhury, Director-General of Bengal Foundation and Sadia Rahman, Deputy Director of Bengal Foundation also shared their thoughts during the ceremony.

In celebration of the event, Bengal Foundation organised a special exhibition of selected works by Sheikh Mohammed Sultan, from the private collection of Abul Khair, for which a commemorative catalogue has also been produced.

At this new site, Bengal Foundation looks forward to broadening and deepening the scope of its cultural endeavours in ways that complement and extend the work of the Foundation’s other arts facilities in Dhaka: Bengal Gallery, Bengal Art Lounge and Safiuddin Bengal Printmaking Studio. With this in view, Bengal Foundation has conceived of the Arts Precinct as a non-commercial arts venue, which will operate purely for the public benefit.”

 

Coming Exhibition: Afghan Rugs ~ The Contemporary Art of Central Asia

“Afghan Rugs ~ The Contemporary Art of Central Asia”

Who:  BOCA Museum of Art

When: May 3, 2014 – July 27, 2014 (Tues-Fri. 10 a.m. – 5 p.m.; Sat.-Sun. 12 p.m.-5 p.m.)

Where: 

BOCA Museum of Art
501 Plaza Real, Boca Raton, FL 33432 
In Mizner Park

How Much:

 Adults ($8)          Seniors 65+ ($6)          Students ($5)          Children 12- (Free)

More Information: Here.

“The international exhibition, Afghan Rugs: The Contemporary Art of Central Asia, features over 40 rugs from a private European collection, traveling for the first time to museums in North America. Selected for their exceptional quality and stunning imagery, the rugs in this exhibition represent a unique category in decorative arts. They constitute some of the most powerful visual inventions of the late 20th century and are skillfully crafted with hand-spun and dyed, tightly knotted wool.

These exquisitely woven works of art are designed with thoroughly untraditional motifs. Approximately half of the rugs—some produced well before the Soviet invasion of Afghanistan in 1979—feature cityscapes, portraits, landscapes, and world maps, framed by tanks and helicopters. Other rugs in the include weapons and fighting scenes made by weavers in Afghanistan, or in the North-West Frontier Province of Pakistan. No matter the central imagery, each rug is traditionally bounded by an intricately framed and detailed border design offering incredible works of art to be enjoyed on the floor as well as the wall.”

 

Current Exhibition: Beijing: Contemporary and Imperial ~ Photographs by Lois Conner

“Beijing: Contemporary and Imperial ~ Photographs by Lois Conner”

Solitary Arch, Changchun Yuan, Yuanming Yuan (Garden of Extended Spring, Garden of Perfect Brightness), 1998, printed 2013. Lois Conner

Who:  Cleveland Museum of Art

When: Mar. 30, 2014 – June 29, 2014 (Mon-Sat. 10 a.m. – 9 p.m.)

Where: 

Cleveland Museum of Art
11150 East Boulevard
Cleveland, OH 44106

How Much:  Generally Free, some special exhibits require a ticket.

More Information: Here.

“Magical, miraculous, and often times dangerous is how photographer Lois Conner has described some of her experiences capturing the images included in Beijing: Contemporary and Imperial: Photographs by Lois Conner.Opening at the Cleveland Museum of Art on Sunday, March 30 alongside Conner’s in-person Artist Talk that afternoon, the exhibition features a vast visual tour of historic and contemporary Beijing, inviting the viewer to reflect on China’s rising power in the context of its history and cultural landscape. The sites depicted span three centuries, embracing the dynastic glory of the Qing and its decline, the revolutionary 20th century, and the post-imperial and post-socialist story of Beijing and China today.

“Conner has said that the subject of her photography is landscape as culture,” comments Barbara Tannenbaum, the museum’s Curator of Photography. “The designs of public squares, city streets, gardens, palaces, humble homes, and office buildings directly impact the lives and emotions of those who occupy them. Those spaces also reveal the intentions of their creators, whether it is to demonstrate political, religious, or social power; offer a soothing respite from urban bustle; or burnish the beauty of nature.” . . . 

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