Anglo-American designer Charles James (1906-1978) is one the biggest names in mid 20th century American fashion, a designer who thought of fashion as a mathematical science. From Thursday May 8 to Sunday August 10, 2014, the Costume Institute at New York’s Metropolitan Museum of Art is opening to the doors to the “Charles James: Beyond Fashion” exhibition, which celebrates the work of the visionary designer. With just a few days until it officially opens, Vogue.fr brings you a look at some of the iconic images on display in this year’s MET exhibition, which draws huge crowds every year. (more…)
“Charles James: Beyond Fashion”
The Metropolitan Museum of Art
1000 Fifth Avenue (at 82nd Street)
New York, NY 10028
Phone: 212-535-7710 (TTY: 212-650-2921)
May 8, 2014 – August 10, 2014
Sun-Thurs. ~ 10:00 am – 5:30pm
Fri-Sat. ~ 10:00am – 9:00pm
Adults: $25 | Seniors (65 + ): $17 | Students: $12 | Members: Free | Children (12 – ): Free
“The inaugural exhibition of the newly renovated Costume Institute examines the career of the legendary twentieth-century Anglo-American couturier Charles James (1906–1978). Charles James: Beyond Fashion explores James’s design process, focusing on his use of sculptural, scientific, and mathematical approaches to construct revolutionary ball gowns and innovative tailoring that continue to influence designers today. Approximately sixty-five of James’s most notable designs are presented in two locations—the new Lizzie and Jonathan Tisch Gallery in the Anna Wintour Costume Center as well as special exhibition galleries on the Museum’s first floor.
The first-floor special exhibition galleries spotlight the glamour and resplendent architecture of James’s ball gowns from the 1940s through 1950s. The Lizzie and Jonathan Tisch Gallery provides the technology and flexibility to dramatize James’s biography via archival pieces including sketches, pattern pieces, swatches, ephemera, and partially completed works from his last studio in New York City’s Chelsea Hotel. The evolution and metamorphosis by James of specific designs over decades are also shown. Video animations in both exhibition locations illustrate how he created anatomically considered dresses that sculpted and reconfigured the female form.
After designing in his native London, and then Paris, James arrived in New York City in 1940. Though he had no formal training, he is now regarded as one of the greatest designers in America to have worked in the tradition of the Haute Couture. His fascination with complex cut and seaming led to the creation of key design elements that he updated throughout his career: wrap-over trousers, figure-eight skirts, body-hugging sheaths, ribbon capes and dresses, spiral-cut garments, and poufs. These, along with his iconic ball gowns from the late 1940s and early 1950s—the “Four-Leaf Clover,” “Butterfly,” “Tree,” “Swan,” and “Diamond”—are showcased in the exhibition.”