Day: June 13, 2014

“S Korea Helps with Copyright Protection”

Interesting new step in the Asia Art Law arena.**DB

“S Korea Helps with Copyright Protection”

via “VietnamNet

Vietnamese and South Korean agencies have signed a memorandum of understanding under which the latter will provide technical know-how for copyright protection in the music industry.

Under the MoU signed during a seminar held on Friday in Ha Noi, the Korean side will show their Vietnamese counterparts how to control the number of times a song can be downloaded from a website. Based on this, the Viet Nam Centre for Protection of Music Copyright (VNCPMC) can calculate and collect royalty for composers.

Yu Byong-han, chairman of the Korea Copyright Commission, said Korean experts are willing to share their experience and technology with Vietnamese managers.

“We update continuously the technology for copyright protection and digital forensic investigation,” Yu said.

“Korea is not rich in natural resources. That’s why we value the human resources. For us, each creative work is a treasure.

“We try our best to protect the rights for creators and encourage them to work,” Yu added.

The Viet Nam and South Korea Copyright Seminar drew the participation of numerous Vietnamese and South Korean experts who spoke on different issues relating to copyright, especially in the context of cultural exchanges between the two countries.

The protection of copyrights and related rights is not taken very seriously in Viet Nam yet, said VNCPMC director Pho Duc Phuong.

“Many artistes have complained that their works are used without their permission and they don’t receive any royalty from such use,” he said.

Viet Nam faces several obstacles in collecting royalty and managing copyrights, Phuong said, adding one of them was the difficulty in controlling the download of songs from music websites.

Phuong said that after 12 years since its inception, his agency had paid composers a royalty of US$8 million in total, while a counterpart organisation in the US collected $3 billion in just one year.

Vu Ngoc Hoan, director of the Copyright Office of Viet Nam (COV), stressed the importance of copyright protection in the global integration process.

“Artistes will maintain their creativity and keep their minds on work as long as they know that they are respected and their rights are protected,” Hoan said.”

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Chinese Artist: Wang Bu

“Vases with Bird-and-Flower Painting” by Wang Bu (1898–1968)

Artist

Wang Bu was a 20th Century Chinese artist that specialized in working with Ceramics.  He was officially trained in the blue and white art, working under an expert tutor for several years.  Wang Bu’s first significant work came when popular ceramic artist, Wu Aisheng, hired him to design porcelain items in the style so popular during the Ming and Qing periods.  He would continue working with porcelain and ceramics for the rest of his life, preferring to decorate them in the blue and white coloring his father and mentor had loved.

Wang Bu made two great contributions to the art field.  First, He created the innovative method of using Chinese brush drawing to add the blue and white colors onto his ceramics and porcelain works ~ a technique that many other artists would soon pick up.  Second, he invented a “coloring pigment” by using the Chinese ink painting technique.  This pigment helped the colors used on ceramics to stay bright and colorful, as opposed to dulling and spotting as it dried.  

He briefly abandoned the blue and white style  during the tumultuous period of WWII an the Anti-Japanese War. However, he would later return to his roots, and eventually earned the title “King of Blue and White.  In the sixty years that he worked, he designed millions of works, many of which are still famous today.

Influences

  • His father, Xiuquing, who was an expert in blue and white painting. 
  • Xu Yousheng, his teacheer and another expert artist that worked with blue and white painting.
  • Ming and Qing Dynasty ceramic artists.

Stylistic Characteristics

  • Blue and White Coloring ~ particularly over-glazed with colors underneath or paste on paste.
  • Ceramics and Porcelain canvases.
  • Use of Chinese brush drawing or ink painting.
  • Bright, smooth coloring.
  • He seems to have like flowers, animals, and natural subjects.
  • His signature in his later years was often “the old man Taoqing.”