“This post is dedicated to the idea that creativity can flow out of any of us. Everywhere you look these days, you see people turning something quite ordinary into something unbelievably extraordinary. Like Yuken Teruya who delicately carves commercial paper bags and transforms them into magnificent miniature trees or Maurizio Savini who turns Hubba Bubba into high art, these artists are the ones who remind us that the best kind of art isn’t the most complicated, it’s the kind that leaves us with an experience.
Eden Project [Via WebUrbanist] Medium: Colored Pencils
iri5 [Link] Medium: Post-it Notes
ih8gates [Link] Medium: Kodaimai Rice
The World Heritage Committee this afternoon approved the inscription of Ephesus in Turkey and three other sites on the World Heritage List. Besides Ephesus, sites of Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining in Japan, Aqueduct of Padre Tembleque Hydraulic System in Mexico, and Fray Bentos Cultural-Industrial Landscape in Uruguay are approved.
The Committee also approved the extension of Spain’s Routes of Santiago de Compostela with the addition of the “Camino Francés and Routes of Northern Spain”.
The new sites are:
Sites of Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining (Japan)—The site encompasses a series of eleven properties, mainly located in the southwest of Japan. It bears testimony to the rapid industrialization of the country from the middle of the 19th century to the early 20th century, through the development of the steel industry, shipbuilding and coal mining. The site illustrates the process by which feudal Japan sought technology transfer from Europe and America from the middle of the 19th century and how this technology was adapted to the country’s needs and social traditions. The site testifies to what is considered to be the first successful transfer of Western industrialization to a non-Western nation.
Ephesus (Turkey)—Located within what was once the estuary of the River Kaystros, Ephesus comprises successive Hellenistic and Roman settlements founded on new locations, which followed the coastline as it retreated westward. Excavations have revealed grand monuments of the Roman Imperial period including the Library of Celsus and the Great Theatre. Little remains of the famous Temple of Artemis, one of the “Seven Wonders of the World,” which drew pilgrims from all around the Mediterranean. Since the 5th century, the House of the Virgin Mary, a domed cruciform chapel seven kilometres from Ephesus, became a major place of Christian pilgrimage. The Ancient City of Ephesus is an outstanding example of a Roman port city, with sea channel and harbour basin. . . .
Cultured Muse | The Americas | July 16, 2015
By Susanna Kim via “ABC News”
“Letters found in a Corn Flakes cereal box reveal intimate relationships between German prisoners of war and the Tennessee locals who lived and worked among them. Curtis Peters of Tennessee said his sister-in-law in Lawrenceburg, Tennessee, found some 400 letters in the home of her great-aunt when she passed away in the late 1980s. The letters, written by German men who lived in a prison camp near Tennessee’s southern border after World War II, are “social history, about their lives, their families, the hardships they suffered,” said historian Tim Johnson. . .”
By Chris Carle via “IGN”
“Each year, Anime Expo proves to be one of the marquee destinations for cosplay in the US, and 2015 is no exception. AX attendees showed once again that they are some of the most skilled and dedicated cosplayers around.
With diverse cosplay from anime, video games, movies and TV shows, AX 2015 had a little something for everyone. In addition to anime cosplay galore, we saw Sly Cooper, Solid Snake, a Big Sister, Harley Quinn, Yoshimitsu, Servbot, a handful of War Boys, groups of roaming Borderlands vault hunters… even a guy dressed as the wireframe Little Mac from the arcade Punchout. . . .”
By Todd Van Luling via “Huffington Post”
“Noah Bradley is a 26-year-old artist finally surpassing the 10,000 hours mark for working his craft to perfection. Over the weekend his collection of drawings showing his progress from a 14-year-old with a dream to a master artist went viral, which as Bradley told The Huffington Post, has led to many aspiring artists reaching out to him about their own paths to “pursuing art.”
“Learning that my story served as some amount of inspiration for people to pick up a pencil just warms my heart,” Bradley told HuffPost. “I couldn’t be happier.”
Bradley transitioned from someone who wanted to be an artist to someone who fulfilled his dream.. . .”
By Thea Pitman via “The Conversation”
“The idea of “digital arts” may not immediately call Latin America to mind. Silicon Valley maybe, Old Street roundabout maybe; probably not Buenos Aires. But this is exactly where the most recent E-Poetry Festival, “renowned biennial international artistic gathering”, took place earlier this month. I attended, and the gallery space on the opening night was positively buzzing with internet artists, digital performance artists and sound, video and code poets.
This is the first time the festival has been held in Latin America in its 14-year history – previous events have been held in. . .”
By Chesney Hearst via “The Rio Times”
““Eva – O corpo feminino como tabu e ponte para a transgressão” (Eva – The female body as taboo and bridge for transgression), an exhibition of the works of Rio de Janeiro street artist and women’s rights activist Panmela Castro opened on July 8th in Galeria Scenarium and will continue through August 19th. The free to the public exhibition features over seventy works by Castro that explore the archetype of Eve, gender, and the female body. Curated by Priscilla Duarte, the displayed works include twenty paintings, twenty-two drawings, fifteen watercolors, three sculptures, fifteen photos and a video installation, created through a collaboration with Krank of the well-known Rio de Janeiro graffiti collective, FleshBeckCrew. . . .”
By Jeremiah Rodriguez via “The Hamilton Spectator”
“A powerful set of photos and artwork will serve as stark reminders of Chile’s 17 years of violence at the hands of a brutal dictatorship.
The Pearl Company is hosting an art exhibit July 3 to 5 that chronicles the human rights violations under Augusto Pinochet from 1973 to 1990.
The official opening with music Friday night will feature guest speaker and human rights activist Carmen Gloria Quintana, who survived the Chilean military’s attempt to burn her alive in 1986.
In an email, translated from Spanish, she wrote why she is speaking at this exhibit. . . .”
By On the Coast via “CBC News”
“Most Canadians would remember seeing them in schools, libraries, and banks — prints of paintings that featured Canadian landscapes and alpine lakes made famous by the likes of Emily Carr and members of the Group of Seven.
In fact, the public art installations were part of the Sampson-Matthews silkscreen project, one of the largest art programs in Canada’s history.
The project, which was spearheaded by Group of Seven painter A.Y. Jackson, began as wartime propaganda during the Second World War.The Toronto graphic-arts company Sampson-Matthews Ltd. produced tens of thousands of prints that got installed in barracks in Allied countries. Afterwards, the images were made popular in Canadian schools, libraries, public offices and banks. . . .”
By Alex Gorton via “FT.Com”
“With its proximity to the US, fragmented infrastructure and cultural insecurity, Mexico’s design industry has long been overshadowed by its dominant northern neighbour. And yet, with increased economic growth, an emerging pride in its own skills and talent and a desire to look as much to the east and west as it does to the north, Mexico is an increasingly interesting player in global design.
By tapping into the country’s rich cultural heritage, artistic traditions and craft-based skills, Mexican designers are carving out their own niche by taking elements of traditional culture and updating them with a contemporary, global aesthetic.
“We are in a process of defining what Mexican design really is,” says Héctor Esrawe, one of the country’s leading designers. “It is not a consolidated movement and we have a lot to work on.”. . . .”