Ancient

“Hidden Paintings Revealed at Ancient Temple of Angkor Wat”

“Hidden Paintings Revealed at Ancient Temple of Angkor Wat”

by Megan Gannon via “LiveScience

“Each year, millions of visitors flock to Angkor Wat, an ancient temple in modern-day Cambodia. There, they marvel at the 900-year-old towers, a giant moat and the shallow relief sculptures of Hindu gods. But what they can’t see are 200 hidden paintings on the temple walls.

New, digitally enhanced images reveal detailed murals at Angkor Wat showing elephants, deities, boats, orchestral ensembles and people riding horses — all invisible to the naked eye.

Many of the faded markings could be graffiti left behind by pilgrims after Angkor Wat was abandoned in the 15th century. But the more elaborate paintings may be relics of the earliest attempts to restore the temple, researchers said.

Painting discovery

Subtle traces of paint caught the eye of Noel Hidalgo Tan, a rock-art researcher at Australian National University in Canberra, while he was working on an excavation at Angkor Wat in 2010.

Built between A.D. 1113 and 1150, Angkor Wat stood at the center of Angkor, the capital of the Khmer Empire. The 500-acre (200 hectares) complex, one of the largest religious monuments ever erected, originally served as a Hindu temple dedicated to the god Vishnu, but was transformed into a Buddhist temple in the 14th century. (more…)

“Fisherman Nets 4,000-year-old Pagan Figurine”

“Fisherman Nets 4,000-year-old Pagan Figurine”

by Pete Thomas via “GrindTV

Nikolay Tarasov pulls Bronze Age artifact, carved in bone and said to be worth more than its weight in gold, from Siberian river

pagan-statuetterelic2

“A fisherman dragging a net through a river in Siberia thought he had snagged a rock. Instead he had snared what experts believe is a 4,000-year-old pagan god figurine.

Nikolay Tarasov, 53, considered throwing the 12-inch statuette back, until he wiped away the muck and saw that a ferocious-looking face had been carved into the artifact.
“I pulled it in by getting my pal to help and I was going to chuck it away,” he told the Siberian Times. “But then I stopped when I saw it was a stone with a face. I washed the thing in the river—and realized it was a statuette.”

On the back of the figurine, snagged in the community of Tisul, was what looked like hair, carved behind the head.

Tarasov was told that the relic could be worth its weight in gold, but decided to donate his rare catch to a local museum, free of charge. “Experts there quite literally jumped for joy, and quite high!” he said.

It was later determined, with the help of experts, that the statuette had been carved in horn, probably during the Bronze Age. . . . .”

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NJ Rhino Horn Smuggling Case ~ Outcome

I know I’m a little late to the table on the whole “Ivory-banning” topic, but a case was just settled on the issue, so I thought it was an interesting share.   Message To Leave With–Ivory of all kind is pretty much forboten in the States right now. So don’t try smuggling in or out anything made of Rhino or Elephant ivory; you risk a hefty fine and/or prison time.  

A little (Super-Simplified) background on the laws themselves:

Endangered Species Act (1973)–>More or less stated that protecting our “natural heritage” (as opposed to  artifacts/art/man-made heritage) was an important duty for Americans. It went on to begin outlining basic legal protections for the “native plants and animals” that were considered endangered or on the verge of extinction.  Out of this came the:

African Elephant Conservation Act (1989)–> This act acknowledged that African elephants (and because they are “indistinguishable,” Asian Elephants) were on the verge of extinction (note the link here they made to previous law). Furthermore, the “illegal trade” was a large part of the problem, and the US had a responsibility to put a stop to such trade on its own shores.  Take note: sport hunting was left out in this act as being OK. Thus, you just needed to prove that your ivory/Elephant parts came from sport hunting instead of poaching, and you were all good.  Closely linked to and resembling this act was the soon to follow:

Rhinoceros and Tiger Conservation Act (1994)–> As with the Elephant Act, the Rhino & Tiger Act started by stating that the Rhinos and Tigers were (under the Endangered Species Act definitions) considered to be endangered.  And once again, the “illegal trade” was most of the problem, and the US had a responsibility here to stop such trade.  Exact wording:  “A person shall not sell, import, or export, or attempt to sell, import, or export, any product, item, or substance intended for human consumption or application containing, or labeled or advertised as containing, any substance derived from any species of rhinoceros or tiger.”  

 This one went a little further in that the US had signed a contract with a bunch of other countries that it would actually destroy any stockpiles of Rhino horns that it found. Personally, I think this was a massive waste of ivory that didn’t benefit the Rhinos and only boosted the black market for their horns (where there is less of an item, more and more people want it).  Whatever you believe, this was a huge situation between US and Chinese/Taiwanese wildlife exporters.  The US actually put into place a ban on Taiwanese exports of wildlife into the US in 1994 because Taiwan had not changed their rules enough to suit the US government.  Nonetheless, there was still a  loophole for sport hunting or “legally taken trophies” here.  This meant that all the little “buddhas” or trinkets made out of ivory, or even the old pianos that had real ivory keys, were still okay for transport if you could show that they weren’t poached ivory.

Everything moved along, with minor disputes arising as to what was ivory, how bad the penalties should be etc. Then the next major change actually showed up this year (2014).  

February 11, 2014, the Department of Interior announced that it was going to officially ban ALL Commercial trade of Ivory in an effort to stop poaching.  This meant that it was taking away the little “Sport hunting”/”Legal Trophy” loophole that was left by previous laws.  It would impact all ivory taken from African Elephants and Rhinos.   Their argument was that the ivory trade was increasing; I would argue that this was a direct result of the rising demand for a suddenly “rare” commodity such as the governments had created with their previous bans.  

PROBLEM: suddenly, picking up little buddha or ivory trinket during your layover in India wasn’t quite so safe as it had been.  It was now going to be illegal to trade in pretty much any type of Ivory. The only exceptions were a “narrow class of antiques” already protected under the original Endangered Species Act (see how the lawyers intertwined these laws!) and those ivory pieces you already owned. Basically, you had to prove that you were exempt and this requirement was getting fairly strict (it had to be imported into the US before 1990 for African Elephant Ivory and 1975 for Asian Elephants).

This has potentially serious impacts on a ton of cultural resources, which is why you are probably still seeing quite a few articles discussing the situation.

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Now, with that extensive background, I bring you the recently decided NJ Rhino Horn Smuggling Case.

In December 2013, Zhifei Li, a Chinese citizen and owner of “Overseas Treasure Finding, pled guilty to smuggling rhinoceros horns from the United States into China.  He apparently paid three different antiquities dealers to assist him in exporting around thirty rhino horns and “objects” made from rhino and elephant horns.  Altogether, the items were worth approximately $4.5 million.  He has just been sentenced to six years in prison and a $3.5 million fine.

Mr. Li was officially tried under the older, pre-2014 amended laws.  But now with the changes, those laws could apply to you to.  So, as I said at the beginning, don’t try bringing in or out anything made of Rhino or Elephant ivory; it’s not worth the battle.

 

“Over 1,000 Ancient Buddha Statues Uncovered in China”

“Over 1,000 Ancient Buddha Statues Uncovered in China”

by April Holloway via “Epoch Times

“Archaeologists have discovered more than 1,000 ancient Buddha statues in three stone caves on a cliff-face in Yangqu County, in north China’s Shanxi Province, according to a report in China.org.cn. Although official dating has not yet been carried out, it is believed that the statues date back to the Ming Dynasty.

The Ming dynasty, was the ruling dynasty of China for 276 years (1368–1644 AD) following the collapse of the Mongol-led Yuan dynasty. The Ming, described by some as “one of the greatest eras of orderly government and social stability in human history”, was the last dynasty in China ruled by ethnic Han Chinese. The creation of stone Buddha statues reached its peak during the period from the Northern and Southern Dynasties (420-589) to the Tang Dynasty (618-907), so it is rare to find stone Buddha statues from the Ming Dynasty.

According to traditional accounts, Buddhism was introduced in China during the Han dynasty (206 BC-220 AD) after an emperor dreamed of a flying golden man thought to be the Buddha. Although the archaeological record confirms that Buddhism was introduced sometime during the Han dynasty, it did not flourish in China until the Six Dynasties period (220-589 AD). The year 67 CE saw Buddhism’s official introduction to China with the coming of the two monks Moton and Chufarlan.

The latest finding including stone statues carved into the cave walls and measuring 12 to 25 centimetres long, said Yang Jifu, director of the county’s cultural heritage tourism bureau. Yang said two of the caves had been restored in the Ming Dynasty, according to the record on two steles in the caves. . . . .”

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Ancient Gold Necklace

	Ornament for the neck of a robegold, turquoise, garnet, pyrites, 29.1 cm lTillya Tepe, 1st century CENational Museum of AfghanistanOrnamentation Designed to Lay Over the Neckline of a Robe
Gemstones and Inlay include: Gold, Turquoise, Garnet, Pyrites
 Tillya Tepe (Afghanistan), 1st century AD/CE
National Museum of Afghanistan (Currently on Exhibition at the Art Gallery of New South Wales)