Art & Culture

Broken toilet leads to 2,000 years of history

“Broken toilet leads to 2,000 years of history “

by Sarah Griffiths via “Daily Mail

A search for a sewage pipe beneath an Italian restaurant yielded two centuries worth of history.

Lucian Faggiano bought the building in Lecce, Puglia in the south of Italy and had planned to turn it into a trattoria – but renovations were put on hold when he discovered a toilet on the site was blocked.

And while attempting to fix the toilet he dug into a Messapian tomb built 2,000 years ago, a Roman granary, a Franciscan chapel, and even etchings thought to be made by the Knights Templar.

Scroll down for 3D tour 

Lucian Faggiano's dream of opening a restaurant was scuppered when a dig to find a blocked sewage point yielded some 2,000 years of hidden history, including vast rooms and pottery (shown in this image that features Mr Faggiano left and his son)

Lucian Faggiano’s dream of opening a restaurant was scuppered when a dig to find a blocked sewage point yielded some 2,000 years of hidden history, including vast rooms and pottery (shown in this image that features Mr Faggiano left and his son)

In a bid to stop the sewage backing up, Mr Faggiano, 60, and his two sons dug a trench and instead of isolating the offending pipe found underground corridors and rooms beneath the property on 56 Via Ascanio Grandi,The New York Times reported.

Lecce, at the heel of Italy’s ‘boot’ was once a crossroads in the Mediterranean and an important trading post for the Romans.

But the first layers of the city date to the time of Homer, according to local historian Mario De Marco.

Eight years after it was meant to open as a restaurant, the building has been turned into Museum Faggiano (pictured) and a number of staircases allow visitors to travel down through time to visit the ancient underground chambers discovered by the family

Eight years after it was meant to open as a restaurant, the building has been turned into Museum Faggiano (pictured) and a number of staircases allow visitors to travel down through time to visit the ancient underground chambers discovered by the family

He imagined it would take a week to dig down and fix the plumbing beneath the building, but instead, the DIY mission led to the discovery of a Messapian tomb and a Roman granary

An ancient room beneath the modern building is shown

He imagined it would take a week to dig down and fix the plumbing beneath the building, but instead, the DIY mission led to the discovery of a Messapian tomb, a Roman granary (pictured left), a Franciscan chapel – and even etchings from the Knights Templar. An ancient room beneath the modern building is shown right

The search for the pipe (shown in this image of Mr Faggiano and his son) began at the turn of the millennium when no-one could have predicted the treasures hidden beneath the floorboards, which revealed a subterranean world dating back to before the birth of Jesus

The search for the pipe (shown in this image of Mr Faggiano and his son) began at the turn of the millennium when no-one could have predicted the treasures hidden beneath the floorboards, which revealed a subterranean world dating back to before the birth of Jesus

It is not unusual for religious relics to turn up in fields or in the middle of the city itself, which has a mixture of old architecture

For example, a century ago, a Roman amphitheatre was recently found beneath a marble column bearing the statue of Lecce’s patron saint, Orontius in the main square and recently a Roman temple was found under a car park.

‘Whenever you dig a hole, centuries of history come out,’ said Severo Martini, a member of the City Council.

Years of excavations have seen the emergence of Roman devotional bottles, ancient vases and a ring with Christian symbols as well as hidden frescoes and medieval pieces. Here, Mr Faggiano carries a piece of Roman pottery from an underground room

Years of excavations have seen the emergence of Roman devotional bottles, ancient vases and a ring with Christian symbols as well as hidden frescoes and medieval pieces. Here, Mr Faggiano carries a piece of Roman pottery from an underground room

The building yielded plenty of nooks and crannies including mysterious shafts
The building yielded plenty of nooks and crannies including mysterious shafts

The building yielded plenty of nooks and crannies including mysterious shafts (pictured left and right) which lead to older parts of the building deeper and deeper underground

Lucian Faggiano bought the seemingly standard building in Lecce, Puglia in the south of Italy, (marked on this map) but his dream of turning it into a trattoria was put on hold thanks to a broken toilet. Lecce, at the heel of Italy’s ‘boot’ was once a crossroads in the Mediterranean and a trading post for the Romans

Lucian Faggiano bought the seemingly standard building in Lecce, Puglia in the south of Italy, (marked on this map) but his dream of turning it into a trattoria was put on hold thanks to a broken toilet. Lecce, at the heel of Italy’s ‘boot’ was once a crossroads in the Mediterranean and a trading post for the Romans

THE HISTORY OF LECCE

The origins of Lecce in southern Italy are thought to be more than 2,000 years old.

It was founded by the Messapii, who are said to have been Cretans in Greek records, explaining the city’s Greek culture.

According to legend, a city called Sybar existed at the time of the Trojan War and was founded by the Messapii.

It was conquered by the Romans in the 3rd century BC, who gave it the name Lupiae, which later became Lecce.

Under the emperor Hadrian, in the second century AD, the city moved two miles (3km) northeast, got a theatre and an amphitheatre and was connected to the Hadrian Port.

Oronotius of Lecce, who is known as Sant’Oronzo is thought to have served as the city’s first Christian bishop and is now Lecce’s patron saint.

After the fall of the Roman Empire, the city was sacked by king Totila in the Gothic Wars.

After that it was conquered once again by the Byzantines in 549 and remained part of the Eastern Empire despite some small conquests.

After the Normans arrived in the 11th century, Lecce grew in commercial importance again, having been an important trading post in Roman times.

It grew rich and became one of the most important cities in southern Italy, evidenced by its many impressive Baroque monuments.

Plague broke out in the 17th century and the city was briefly home to Allied fighters fighting the Nazis in the Second World War.

Mr Faggiano asked his sons to help fix the problem with the plumbing so he could accelerate the opening of his restaurant, in a building that looked like it was modernised.

But when they dug down they hit a floor of medieval stone, beneath which was a Messapian tomb, built by people who lived in the area before the birth of Jesus.

Legend has it the city was founded by the Messapii, who are said to have been Cretans in Greek records, but then the settlement was called Sybar.

Upon further investigation, the family team also discovered a Roman room that was used to store grain, and a basement of a Franciscan convent where nuns were thought to have once prepared the bodies of the dead.

Afraid of costs and the delay in opening the restaurant, Mr Faggiano initially kept his amateur archaeology a secret from his wife, in part perhaps because he was lowering his youngest son, Davide, 12 though small gaps in the floor to aid his work.

But his wife, Anna Maria Sanò suspected the work was more complex than it appeared thanks to the amount of dirty clothes she was washing, and because of dirt and debris being taken away.

Investigators shut down the site, warning Mr Faggiano he was conducting an unofficial archaeological dig.

After a year, work continued but had to be overseen by heritage officials who witnessed the emergence of Roman devotional bottles, ancient vases and a ring with Christian symbols as well as hidden frescoes and medieval pieces.

Retired cultural heritage official, Giovanni Giangreco, who was involved with the excavation, said: ‘The Faggiano house has layers that are representative of almost all of the city’s history, from the Messapians to the Romans, from the medieval to the Byzantine time.’

Afraid of costs and the delay in opening the restaurant, Mr Faggiano initially kept his amateur archaeology a secret from his wife. Here, he sorts though pieces of glass and pottery found in one of the rooms. There are even pieces embedded in the wall

Afraid of costs and the delay in opening the restaurant, Mr Faggiano initially kept his amateur archaeology a secret from his wife. Here, he sorts though pieces of glass and pottery found in one of the rooms. There are even pieces embedded in the wall

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Hmong traveling exhibit celebrates 40 years after Laos

“Hmong traveling exhibit celebrates 40 years after Laos”

by Stephen Magagnini via “The Sacramento Bee

From left, Houa Yang,Ker Cha and Brandon Xiong look at historical photographs of the CIA’s secret war in Southeast Asia during a preview Sunday of the “Hmong Story 40” project at Will C. Wood Middle School in Sacramento.

Forty years after Laos fell to the communists, decimating the Hmong people and their culture, a new generation of Hmong American leaders has emerged to preserve their heritage before it’s too late.

About 300 Hmong came to Will C. Wood Middle School in south Sacramento on Sunday to preview four new exhibits of photos and artifacts chronicling their recent history: “Hmong in Laos”; “The CIA’s Secret War against the Communists”; “Refugee Camp Life”; and “New Life in California.”

The displays were created by a group of 30 Hmong young professionals, business owners, educators and community leaders throughout California developing a traveling exhibit, the “Hmongstory40” project. They are urging families in Northern and Central California to “be a part of history” by sharing photos, artifacts and memories of their families’ journeys from Laos to Thai refugee camps and on to America.

Wood Assistant Principal See Lor, 42, who was born in Laos, taught for 10 years at Elder Creek Elementary. “Adults would ask the kids, ‘What is Hmong?’ and young Hmong kids had no clue,” she said. “They don’t know why they’re in this country. They don’t know that we’re political refugees forced to come here, not because (we) were dreaming big about America.”

Lor, clad in traditional Hmong silver and embroidery, said the children’s lack of knowledge about their culture and history “touched my heart and I knew I need to help preserve the history and the culture.”

Hmong history dates back more than 3,000 years. The Hmong once had their own kingdom in China, but they were crushed by the Chinese emperors and driven into the mountains of northern Laos, Thailand and Vietnam.

According to the exhibit, “From developing a written language, to advancements in textiles, farming and fashion … the Hmong identity was strengthened, an identity that would be resilient and spirited enough to survive a secret war and eventual exile.”

At age 5, Lor fled with her family to Ban Vinai, the largest of the Thai refugee camps, where more than 40,000 Hmong awaited sponsorships to the United States. Lor, who came with her family to the United States and entered fourth grade in 1986, said she has no idea where she was born. “When I asked my mom, she said, ‘Joking Mountain.’”

Over the past 40 years, an estimated 250,000 Hmong refugees have resettled in the United States. “There are about 30,000 Hmong now in Sacramento and 32,000 in Fresno,” said Lar Yang, one of the exhibit organizers. He said he expects more than 100,000 people will view the traveling exhibit.

Hmong throughout California – inbcluding those in Sacramento Sunday — are being asked to contribute stories and memorabilia to the history project. The full exhibit is scheduled to go on display in Fresno during the Hmong New Year in December, in Merced in May 2016 and in Sacramento in the fall of 2016. Details are at hmongstory40.org.

“Thanks for coming today and caring about your history,” project director Lar Yang told the audience Sunday. “Now is the time to write the truth about our history before our elders are gone. . . . .”

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Coming Exhibition: Dolce Vita? From the Liberty to Italian Design (1900-1940)

“Dolce Vita? From the Liberty to Italian Design (1900-1940)”

Who:  Musée d’Orsay 

When: Apr. 14, 2015 – Sept. 13, 2015 (View Hours Here)

Where: 

Musee d’Orsay
1 Rue de la Légion d’Honneur, 
75007 Paris, France

How Much:  (View Pricing Here)

More Information: Here

“In Italy in the early twentieth century the decorative arts were used to interpret the desire for progress of a nation that had only just found its unity. Cabinetmakers, ceramicists and glass-makers all worked together with the leading artists, creating a veritable “Italian style”.

This period of extraordinary creativity is recalled through around a hundred works in a chronological display. The “Liberty” style, which came into its own at the turn of the century, is recalled with designs by Carlo Bugatti, Eugenio Quarti and Federico Tesio mixed with works by the Divisionist painters. A second section is devoted to Futurism, its esthetic inspired by progress and speed extending to every aspect of life.

Later, the return to classicism in Italy came in various guises, finding its expression in the ceramics of Gio Ponti or the glass creations of Carlo Scarpa, up to the stern language of the “Novecento”.
Meanwhile, the rationalist style marked the advent of modern “design”.“

History in shambles: World Heritage sites after the Nepal earthquake

“History in shambles: World Heritage sites after the Nepal earthquake”

by Brian Ries via “Mashable

Kathmandu1

History in shambles: World Heritage sites after the Nepal earthquake

A handout photo provided by the International Federation of the Red Cross (IFRC) on 26 April 2015 of rescue workers sifting the ruins of a building for possible survivors in Kathmandu, Nepal, 25 April 2015.

Kathmandu1

The centuries-old monuments spread throughout the Kathmandu Valley were heavily damaged in the massive earthquake that struck Nepal on Saturday, a United Nations official said on Monday. Some of the sites suffered “extensive and irreversible damage.”

Irina Bokova, director-general of the United Nations Educational, Scientific and Cultural Organization (UNESCO), said she was “shocked” by the earthquake’s devastating impact on Nepal’s cultural heritage in the country, in particular the “extensive and irreversible damage at the World Heritage site of Kathmandu Valley.”

UNESCO Site
A photo shows devastation at the World Heritage site in Kathmandu after a earthquake toppled monuments and temples on April 25, 2015.

The sites are made up of seven separate groups of monuments. They include the Durbar Squares of Hanuman Dhoka (Kathmandu), Patan and Bhaktapur, the Buddhist “stupas” of Swayambhu and Bauddhanath and the Hindu temples of Pashupati and Changu Narayan.

The Nepalese government describes the seven sites as “medieval royal palace complexes” or “religious temple complexes,” calling them “archaeologically, historically, culturally and religiously very important” to the Kathmandu Valley.

The Kathmandu Valley was removed from the UN’s list of World Heritage in Danger in 2007, and the government has undertaken a series of conservation efforts to protect them from encroaching development since then.

Three of the sites were “almost fully destroyed”

According to a preliminary assessment done by the organization, the Durbar Squares of Patan, Hanuman Dhoka (Kathmandu) and Bhaktapur, were “almost fully destroyed” in the earthquake.

Basantapur Durbar Square
A general view of the Basantapur Durbar Square that was damaged in Saturday’s earthquake in Kathmandu, Nepal, Sunday, April 26, 2015.

Some of that destruction was captured by Kishor Rana, who flew a drone above the sites in the hours after the earthquake struck.

 “These are desperate times but we must all unite together in times like these,” said Kishor Rana on Facebook, who has pledged to shoot more of the sites. “Out of respect to the victims family, I did not take footages of live rescues taking place. We not only lost many lives and homes but we lost many pieces of our cultural heritage, our history.”

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Royal rickshaw comes home, to be displayed in central Vietnam

“Royal rickshaw comes home, to be displayed in central Vietnam”

via “Tuoi Tre News”

A rickshaw which belonged to a king of the Nguyen Dynasty (1802-1945), Vietnam’s last monarchy, has finally arrived home after some 100 years being away and will be put on display in the central region next week as a happy ending for insiders’ unprecedentedly concerted efforts.

The rickshaw, which was gifted by King Thanh Thai (1879-1954), the 10th king of the Nguyen Dynasty, to his mother during his lifetime, is considered a royal treasure which is highly cherished for its technical, aesthetic, cultural, and historical value.

The prized item was custom-made from “trac” wood encrusted with conch and boasts sophisticated carvings.

The rickshaw will be displayed at an exhibition, which is poised to run on Wednesday at Dien Tho Palace, part of the UNESCO-recognized Complex of Monuments in Hue City.

The palace is a prominent highlight in Hue, the capital city of the central province of Thua Thien-Hue.

The homecoming is the fruit of Vietnamese culture authorities’ campaign, with the leader of a Paris-based museum giving up its legal right to purchase the object and fund-raising efforts.

At an auction in Tours, France on June 13, 2014 of various treasured items, including King Thanh Thai’s rickshaw, Vietnam’s people won the bid for the vehicle for €45,000. The item fetched €55,800 including organization fees.

In an unexpected twist, Katia Mollet, a curator of the Guimet Museum, declared that France had the right to buy the rickshaw for the same price.

State-run organizations in France were entitled by law to purchase the items at the same price as that offered by the auction winners.

The Vietnam Embassy in France and Vietnamese culture authorities persevered in talking the French museum’s leader out of the intention, and sought for support from French cultural agencies and experts on Vietnamese culture for Vietnam’s bid to purchase the rickshaw.

Some days following the auction, the Guimet Museum, which is well known for its painstaking conservation of a number of Vietnamese artifacts and has helped promote them through its exhibits, gave up its right to buy the rickshaw.

Buu Y, a respected culture researcher in Hue, was taken aback by the full-length details of King Thanh Thai’s rickshaw in a record kept by the French auction company.

According to the auctioning record, the king sold his rickshaw and bed – another royal treasure – to Prosper Jourdan, head of the king’s escort team, who took it to France in 1907.

The rickshaw has seen repairs to and restoration of some of its parts since, the record added.

Jourdan’s heirs later decided to put these two invaluable items up for auction and expressed their wish that after the auction, they will be displayed in Hue, which was Vietnam’s imperial capital during the Nguyen Dynasty. . . .

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