“Beautiful Boat” by S M Samsu
“Single Mountain” by Meetali Singh (India, 2008)
“Each year, millions of visitors flock to Angkor Wat, an ancient temple in modern-day Cambodia. There, they marvel at the 900-year-old towers, a giant moat and the shallow relief sculptures of Hindu gods. But what they can’t see are 200 hidden paintings on the temple walls.
New, digitally enhanced images reveal detailed murals at Angkor Wat showing elephants, deities, boats, orchestral ensembles and people riding horses — all invisible to the naked eye.
Many of the faded markings could be graffiti left behind by pilgrims after Angkor Wat was abandoned in the 15th century. But the more elaborate paintings may be relics of the earliest attempts to restore the temple, researchers said.
Painting discovery
Subtle traces of paint caught the eye of Noel Hidalgo Tan, a rock-art researcher at Australian National University in Canberra, while he was working on an excavation at Angkor Wat in 2010.
Built between A.D. 1113 and 1150, Angkor Wat stood at the center of Angkor, the capital of the Khmer Empire. The 500-acre (200 hectares) complex, one of the largest religious monuments ever erected, originally served as a Hindu temple dedicated to the god Vishnu, but was transformed into a Buddhist temple in the 14th century. (more…)
Who: BOCA Museum of Art
When: May 3, 2014 – July 27, 2014 (Tues-Fri. 10 a.m. – 5 p.m.; Sat.-Sun. 12 p.m.-5 p.m.)
Where:
BOCA Museum of Art
501 Plaza Real, Boca Raton, FL 33432
In Mizner Park
How Much:
Adults ($8) Seniors 65+ ($6) Students ($5) Children 12- (Free)
More Information: Here.
“The international exhibition, Afghan Rugs: The Contemporary Art of Central Asia, features over 40 rugs from a private European collection, traveling for the first time to museums in North America. Selected for their exceptional quality and stunning imagery, the rugs in this exhibition represent a unique category in decorative arts. They constitute some of the most powerful visual inventions of the late 20th century and are skillfully crafted with hand-spun and dyed, tightly knotted wool.
These exquisitely woven works of art are designed with thoroughly untraditional motifs. Approximately half of the rugs—some produced well before the Soviet invasion of Afghanistan in 1979—feature cityscapes, portraits, landscapes, and world maps, framed by tanks and helicopters. Other rugs in the include weapons and fighting scenes made by weavers in Afghanistan, or in the North-West Frontier Province of Pakistan. No matter the central imagery, each rug is traditionally bounded by an intricately framed and detailed border design offering incredible works of art to be enjoyed on the floor as well as the wall.”
The Cultured Muse 