Art & Culture

“How Christie’s Is Winning the Art Auction Wars”

by Diane Brady via BloombergBusinessWeek

“Christie’s, the 248-year-old auction house, is taking off its suit and putting on some ripped jeans. To promote its May 12 auction, If I Live I’ll See You Tuesday, the company posted a YouTube video of skateboarder Chris Martin careening past multimillion-dollar art to the indie hit Sail by Awolnation. The curator, Loic Gouzer, a handsome contemporary art expert who’s been linked to Mad Men star January Jones, hyped the works on his Instagram feed. Last July, Christie’s held a charity sale hosted by Leonardo DiCaprio (who happens to be a friend of Gouzer’s). And during 2013 it ran 49 Web-only, youth-friendly auctions—prints went for as little as a few hundred dollars. The initiatives have helped bring in a record $7.1 billion in sales in the past year, compared with $6.3 billion at rival Sotheby’s(BID).

All this was dreamed up by Christie’s chief executive officer, Steven Murphy. Unlike his competitors, Murphy has no prior fine art expertise (or noble European lineage) and says that selling artists’ work isn’t that different from his former jobs as president of Angel Records and publishing house Rodale. Soon after he arrived at Christie’s in 2010, he began allowing buyers to bid on works online. It seems obvious, but for a fusty auction house it was a revolutionary tactic. . . . .”

“Over 1,000 Ancient Buddha Statues Uncovered in China”

by April Holloway via “Epoch Times“

“Archaeologists have discovered more than 1,000 ancient Buddha statues in three stone caves on a cliff-face in Yangqu County, in north China’s Shanxi Province, according to a report in China.org.cn. Although official dating has not yet been carried out, it is believed that the statues date back to the Ming Dynasty.

The Ming dynasty, was the ruling dynasty of China for 276 years (1368–1644 AD) following the collapse of the Mongol-led Yuan dynasty. The Ming, described by some as “one of the greatest eras of orderly government and social stability in human history”, was the last dynasty in China ruled by ethnic Han Chinese. The creation of stone Buddha statues reached its peak during the period from the Northern and Southern Dynasties (420-589) to the Tang Dynasty (618-907), so it is rare to find stone Buddha statues from the Ming Dynasty.

According to traditional accounts, Buddhism was introduced in China during the Han dynasty (206 BC-220 AD) after an emperor dreamed of a flying golden man thought to be the Buddha. Although the archaeological record confirms that Buddhism was introduced sometime during the Han dynasty, it did not flourish in China until the Six Dynasties period (220-589 AD). The year 67 CE saw Buddhism’s official introduction to China with the coming of the two monks Moton and Chufarlan.

The latest finding including stone statues carved into the cave walls and measuring 12 to 25 centimetres long, said Yang Jifu, director of the county’s cultural heritage tourism bureau. Yang said two of the caves had been restored in the Ming Dynasty, according to the record on two steles in the caves. . . . .”

Preview: “Charles James: Beyond Fashion” at the MET

“Charles James: Beyond Fashion” at the MET

By Eugénie Trochu, translated by Charlotte Sutherland-Hawes via Vogue.fr

Anglo-American designer Charles James (1906-1978) is one the biggest names in mid 20th century American fashion, a designer who thought of fashion as a mathematical science. From Thursday May 8 to Sunday August 10, 2014, the Costume Institute at New York’s Metropolitan Museum of Art is opening to the doors to the “Charles James: Beyond Fashion” exhibition, which celebrates the work of the visionary designer. With just a few days until it officially opens, Vogue.fr brings you a look at some of the iconic images on display in this year’s MET exhibition, which draws huge crowds every year. (more…)

Coming Exhibition: “Charles James: Beyond Fashion”

Current Exhibition:

“Charles James: Beyond Fashion”

Austine Hearst in Charles James Clover Leaf Gown, ca. 1953

WHERE:

The Metropolitan Museum of Art

1000 Fifth Avenue (at 82nd Street)
New York, NY 10028
Phone: 212-535-7710 (TTY: 212-650-2921)

WHEN:

May 8, 2014 – August 10, 2014

Sun-Thurs. ~ 10:00 am – 5:30pm

Fri-Sat. ~ 10:00am – 9:00pm

HOW MUCH:

Adults: $25 | Seniors (65 + ): $17 | Students: $12 | Members: Free | Children (12 – ): Free

Further Information:

MET Website

“The inaugural exhibition of the newly renovated Costume Institute examines the career of the legendary twentieth-century Anglo-American couturier Charles James (1906–1978). Charles James: Beyond Fashion explores James’s design process, focusing on his use of sculptural, scientific, and mathematical approaches to construct revolutionary ball gowns and innovative tailoring that continue to influence designers today. Approximately sixty-five of James’s most notable designs are presented in two locations—the new Lizzie and Jonathan Tisch Gallery in the Anna Wintour Costume Center as well as special exhibition galleries on the Museum’s first floor.

The first-floor special exhibition galleries spotlight the glamour and resplendent architecture of James’s ball gowns from the 1940s through 1950s. The Lizzie and Jonathan Tisch Gallery provides the technology and flexibility to dramatize James’s biography via archival pieces including sketches, pattern pieces, swatches, ephemera, and partially completed works from his last studio in New York City’s Chelsea Hotel. The evolution and metamorphosis by James of specific designs over decades are also shown. Video animations in both exhibition locations illustrate how he created anatomically considered dresses that sculpted and reconfigured the female form.

After designing in his native London, and then Paris, James arrived in New York City in 1940. Though he had no formal training, he is now regarded as one of the greatest designers in America to have worked in the tradition of the Haute Couture. His fascination with complex cut and seaming led to the creation of key design elements that he updated throughout his career: wrap-over trousers, figure-eight skirts, body-hugging sheaths, ribbon capes and dresses, spiral-cut garments, and poufs. These, along with his iconic ball gowns from the late 1940s and early 1950s—the “Four-Leaf Clover,” “Butterfly,” “Tree,” “Swan,” and “Diamond”—are showcased in the exhibition.”

Current Exhibition: Beijing: Contemporary and Imperial ~ Photographs by Lois Conner

“Beijing: Contemporary and Imperial ~ Photographs by Lois Conner”

Solitary Arch, Changchun Yuan, Yuanming Yuan (Garden of Extended Spring, Garden of Perfect Brightness), 1998, printed 2013. Lois Conner

Who: Cleveland Museum of Art

When: Mar. 30, 2014 – June 29, 2014 (Mon-Sat. 10 a.m. – 9 p.m.)

Where:

Cleveland Museum of Art
11150 East Boulevard
Cleveland, OH 44106

How Much: Generally Free, some special exhibits require a ticket.

More Information: Here.

“Magical, miraculous, and often times dangerous is how photographer Lois Conner has described some of her experiences capturing the images included in Beijing: Contemporary and Imperial: Photographs by Lois Conner.Opening at the Cleveland Museum of Art on Sunday, March 30 alongside Conner’s in-person Artist Talk that afternoon, the exhibition features a vast visual tour of historic and contemporary Beijing, inviting the viewer to reflect on China’s rising power in the context of its history and cultural landscape. The sites depicted span three centuries, embracing the dynastic glory of the Qing and its decline, the revolutionary 20th century, and the post-imperial and post-socialist story of Beijing and China today.

“Conner has said that the subject of her photography is landscape as culture,” comments Barbara Tannenbaum, the museum’s Curator of Photography. “The designs of public squares, city streets, gardens, palaces, humble homes, and office buildings directly impact the lives and emotions of those who occupy them. Those spaces also reveal the intentions of their creators, whether it is to demonstrate political, religious, or social power; offer a soothing respite from urban bustle; or burnish the beauty of nature.” . . .