China

Current Exhibition: Flowers of the Four Seasons in Chinese and Japanese Art

I Might Actually Get To See This One Myself! ** DB

Who: St. Louis Art Museum

What: Flowers of the Four Seasons in Chinese and Japanese Art

When: February 7, 2014 – September 1, 2014

Where: Gallery 225 at the art museum

One Fine Arts Drive

Forest Park

St. Louis, MO 63110

How Much: Free!

Further Information:

Hong Kong Police Search Landfill for $3.7 Mln Painting

Wonder how the contract read. . . When did title transfer over? Is the artist responsible for the cost if it cannot be found. **DB

“Hong Kong Police Search Landfill for $3.7 Mln Painting”

by AFP

“Hong Kong (AFP) – Hong Kong police on Wednesday searched for a valuable painting mistakenly dumped in a landfill after it sold for $3.7 million at auction, reports said.

 “Snowy Mountain” by Chinese artist Cui Ruzhuo, which was a main feature of the spring auction by Beijing-based Poly Culture this week, was dumped by cleaners at the luxury hotel hosting the sale, the South China Morning Post said.

Grand Hyatt hotel cleaners were suspected of dumping the painting, which sold on Monday for more than HK$28.75 million ($3.71 million), along with rubbish that was taken to a landfill, the paper said, citing an unnamed police source.

Poly Culture did not comment immediately when contacted by AFP.

Police suspected the painting was thrown out by cleaners after viewing security camera images but would not rule out the possibility of it having been stolen, media reported.

Police told AFP a theft case was reported on Tuesday by an auction house staff member regarding a painting, without giving further details.

A Grant Hyatt spokeswoman would not confirm if the painting had been dumped as trash but said hotel staff did not handle items sold at the auction because they were too expensive.

She said in an emailed statement to AFP that organisers would hire their own security and contractors for such events involving “high-value” items.

The spring sale was the first major auction organised by Poly Culture in Hong Kong following its stock debut in March.

Poly Culture Group, the world’s third largest auction house by revenue behind Sotheby’s and Christie’s, is a subsidiary of state-run conglomerate Poly Group. . . .

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Rare $39 Million Ming Dynasty Cup to Be Part of Auction

Rare $39 Million Ming Dynasty Cup to Be Part of Auction

by Frederick Balfour

A 15th-century ceramic cup from the Ming Dynasty will be included in a Sotheby’s (BID) auction next month in Hong Kong, after the seller retracted an earlier decision to pull the sale.

The cup, valued at HK$200 million ($26 million) to HK$300 million, will be offered at Sotheby’s on April 8, according to Nicolas Chow, deputy chairman of Sotheby’s Asia and International Head of Chinese Ceramics and Works of Art.

The seller, a Swiss collector in his nineties who had earlier asked to pull the cup from the sale, changed his mind, said Giuseppe Eskenazi, who originally sold the piece to the collector in 2000 and is advising the seller.

The cup was promoted in a March 6 press release by Sotheby’s as a “potential record breaker” and is considered the finest piece of Chinese ceramics in private hands. It comes from the Meiyintang Collection, whose owner has vacillated over selling it, said Eskenazi, a London-based dealer who originally sold the piece to him in 2000.

“It’s such a great treasure, he didn’t want to part with it as he treasured it so much,” Eskenazi, who helped the seller place pieces with Sotheby’s before, said by telephone today. “But finally, he agreed a few hours ago to go ahead.”

Emperor Allegory

Eskenazi, who bought the cup for almost HK$30 million in 1999, sold it one year later to its present owner.

“This is the most valuable piece of porcelain in any private collection,” he said.

The cup, made for the Chenghua emperor (1465-1487) is considered the most rare of Chinese ceramics and may set an auction record, according to the Sotheby’s press release. It has been nicknamed the “Chicken Cup” because it depicts a rooster, his hen and their chicks, an allegorical representation of the emperor, the empress and their subjects.

“We are very excited to present this in the sale,” Chow said by telephone. “It is the single most expensive, single most sought after Chinese porcelain ever offered at auction.”

The “Chicken Cup” is only 8 centimeters (3.1 inches) in diameter, delicate and dainty,  . . . .

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“Rediscovering China, India and Southeast Asia at the Cleveland Museum of Art: The new West Wing”

“Rediscovering China, India and Southeast Asia at the Cleveland Museum of Art: The new West Wing”

by Steven Litt via “Cleveland Art

Exhibition: “Chinese, Indian and Southeast Asian Galleries”

Location: 

The Cleveland Museum of Art
11150 East Blvd., Cleveland

Opening Date: Jan. 2., 2014

Cost of Admission: Free

Further Informationwww.clevelandart.org

“They were destinations of conquest and desire for millennia. Reaching them by caravan or by sea was dangerous, if not deadly. Yet traders and invaders from across Europe and Asia couldn’t resist the allure of China, India and Southeast Asia.

Thanks to the completion of the Cleveland Museum of Art’s new West Wing, Northeast Ohioans can now travel with ease – artistically speaking – to places that once fired the imaginations of Alexander the Great, Marco Polo, Columbus and Magellan.

 On Thursday, the museum will launch a members-only preview of six new galleries containing nearly 500 works of art in jade, silk, bronze, gold, porcelain, ink on paper and dozens of types of stone, including the blue-gray schist of Afghanistan and the red sandstone of the Ganges Valley. . . . .”

 

Forging an Art Market in China

“Forging an Art Market in China”

by David Barboza, Graham Bowley and Amanda Cox via “The New York Times”

“When the hammer came down at an evening auction during China Guardian’s spring sale in May 2011, “Eagle Standing on a Pine Tree,” a 1946 ink painting by Qi Baishi, one of China’s 20th-century masters, had drawn a startling price: $65.4 million. No Chinese painting had ever fetched so much at auction, and, by the end of the year, the sale appeared to have global implications, helping China surpass the United States as the world’s biggest art and auction market.

But two years after the auction,  . . . “