Heritage

Turkey: Church discovered in world’s biggest underground city in Nevşehir with never-before-seen frescos

“Turkey: Church discovered in world’s biggest underground city in Nevşehir with never-before-seen frescos”

by Matt Atherton via “IBT

Church fresco

An 1,500-year-old underground church has been discovered in Turkey with never-before-seen frescoes depicting Jesus and “bad souls being killed”. The church was found in the world’s largest known underground city in the Cappadocia region of central Turkey.

The frescoes have been described as depicting Jesus rising into the sky – known in Christianity as the Ascension – and the destroying of evil – known as the Last Judgement. The discovery of the church itself – which archaeologists suggest could be more than 1,500 years old – still has secrets to be revealed, as so far only the roof and uppermost part of the walls have been uncovered.

“Only a few of the paintings have been revealed,” said researcher Ali Aydin, who told the Hurriyet Daily News: “There are important paintings in the front part of the church showing the crucifixion of Jesus and his ascension to heaven. There are also frescoes showing the apostles, the saints and other prophets Moses and Elyesa.”

An urban housing project was taking place in the city of Nevşehir, where the church was found. It is part of a huge number of early dwellings, which form the largest known ancient underground city. The underground city itself was discovered in 2014, and around four miles of tunnels have been uncovered. The experts believe people lived here around 5,000 years ago.

Archaeologists have had to pause their excavations, however, as the winter humidity can damage the paintings. However, they have managed to reveal the ceiling of the structure which mainly sits underground, and were fascinated by the huge frescoes which can be found across the inside of the roof and top of the walls.

“We know that such frescoes have so far never been seen in any other church,” said Hasan Ünver, mayor of Nevşehir. “It was built underground and has original frescoes that have survived to this day. This place is even bigger than the other historical churches in Cappadocia.

“It is reported that some of the frescoes here are unique. There are exciting depictions like fish falling from the hand of Jesus Christ, him rising up into the sky, and the bad souls being killed. When the church is completely revealed, Cappadocia could become an even bigger pilgrimage center of Orthodoxy,.”

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US must help protect world’s cultural heritage in Iraq

“US must help protect world’s cultural heritage in Iraq”

by Jabbar Jaafar via “FoxNews

April 11, 2015: In this image made from video posted on a militant social media account affiliated with the Islamic State group purports to show a militant taking a sledgehammer to an Assyrian relief at the site of the ancient Assyrian city of Nimrud, which dates back to the 13th century B.C., near the militant-held city of Mosul, Iraq. The destruction at Nimrud, follows other attacks on antiquity carried out by the group now holding a third of Iraq and neighboring Syria in its self-declared caliphate. The attacks have horrified archaeologists and U.N. Secretary-General Ban Ki-moon, who last month called the destruction at Nimrud "a war crime."

Despite having developed advanced technology and having access to a huge reserve of weapons, including jetfighters and drones, the U.S and its allies failed to prevent ISIS terrorists from destroying  and  bulldozing irreplaceable archeological sites in Mosul earlier this year. The sites, Nimrud and Hatra, are UNESCO World Heritage sites.

The terrorist group has mocked the American superpower and its allies and succeeding in successfully destroying a part of mankind’s cultural heritage. Statues, artifacts of the ancient  Mesopotamian civilizations have disappeared before their eyes. There was no reaction to that savage act.

If a superpower like the United States fails to prevent the ISIS terrorist group from destroying our cultural heritage sites, sites that are an integral part of the lives of the people of Iraq and the cultural heritage of the entire world, how can it expect to build and promote a strategic relationship with the people of the region where its vital interests lie?

After the catastrophe took place the Chairman of the Joint Chiefs of Staff, Army Gen. Martin Dempsey, declared that the protection of these archeological sites were not on the military’s list of  priorities.

If a superpower like the United States fails to prevent the ISIS terrorist group from destroying our cultural heritage sites, sites that are an integral part of the lives of the people of Iraq and the cultural heritage of the entire world, how can it expect to build and promote a strategic relationship with the people of the region where its vital interests lie?

This is the second time that top military generals from the United States have disappointed Iraqis in the United States and sapped confidence in their leadership.

The first time happened when coalition forces, led by the United States, entered Baghdad and toppled Saddam Hussein’s regime. Military forces only offered protection for the country’s Ministry of Oil, whereas the country’s other governmental organizations, including its financial institutions and the national library — where thousands of invaluable books and manuscripts were set on fire — where left unprotected. Iraq’s national museum was also left vulnerable to burglary and thousands of irreplaceable artifacts and relics were looted and smuggled outside the country.

All of this happened right before the very eyes of the U.S. military which took over Baghdad.  When military leaders were asked why they allowed this to happen they offered the same excuse, “the protection of the cultural establishments is not on the list of our priorities.”

The carelessness indifference of the U.S. military’s leaders has bolstered speculation and rumors —  dating back as far as 2003 — by Saddam loyalists and fundamentalists that American forces occupied Iraq in order to steal the country’s oil wealth along with its other fortunes and serve to its own interests unilaterally.

These concerns and suspicions convinced a lot of ordinary Sunnis and Shiites in Iraq that the U.S. occupation forces must be resisted by force. And that’s what happened. It also led to more than 4,000 casualties suffered by U.S forces in Iraq.

Unfortunately, the same thing happened again this year — in 2015. It is said that history repeats itself. And it did.  . . . .

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Use Force to Stop ISIS’ Destruction of Art and History

“Use Force to Stop ISIS’ Destruction of Art and History”

by Hugh Eakin via “NY Times

Will the world do nothing to stop extremist groups from destroying some of civilization’s most treasured monuments?

The question has confronted Western governments with stark urgency in the weeks since the Islamic State released a video of militants smashing ancient sculptures at the Mosul Museum. In early March, following reports that extremists attacked the ancient Assyrian sites of Nimrud and Hatra, Iraqi officials pleaded for American airstrikes to stop them. But so far the United States and its allies have wrung their hands.

Secretary of State John Kerry described the devastation as “one of the most outrageous assaults on our shared heritage that perhaps any of us have seen in a lifetime.” Irina Bokova, the director general of Unesco, said: “This is not just a cultural tragedy. It’s also a security issue, with terrorists using the destruction of heritage as a weapon of war.” The United Nations Security Council condemned the “targeted destruction of religious sites and objects” by the Islamic State and the Nusra Front.

But the United Nations says it is largely powerless to deal with the threat, and Western governments claim they have more urgent military objectives.

This is dangerously wrong. By loudly deploring this “war crime” and doing nothing, the world may be playing into the extremists’ hands. “ISIS is doing it because they can,” Amr Al-Azm, an Ohio-based Syrian anthropologist, told me. “They are striking at things the international community holds dear, but is impotent to do anything about.”

Since 2011, five of the six Unesco World Heritage sites in Syria have suffered significant damage; four have been requisitioned for military purposes by different groups, in direct violation of international protocols. Tunnel bombs have devastated Aleppo’s old city; thousand-year-old minarets have been detonated; medieval forts have been shelled; Parthian and Hellenistic sites have been pillaged.

Then came the Islamic State, which turned such attacks into an explicit strategy. Taking over archaeological sites near its stronghold, the northern city of Raqqa, the group turned local looting brigades into large-scale businesses. And it has used social media to broadcast the carefully choreographed destruction of mosques, cemeteries, libraries and other monuments belonging to any groups or sects it regards as deviant.

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Your Opinion

To My Artistic Readers, what do you think? Is this true?  I’m not so sure. . . 

“No great art has ever been made without the artist having known danger.”

**Rainer Maria Rilke

UNESCO welcomes UNSC resolution to protect cultural heritage in Syria, Iraq

“UNESCO welcomes UNSC resolution to protect cultural heritage in Syria, Iraq”

via “KUNA

PARIS, Feb 13 (KUNA) — The Director-General of the UNESCO Irina Bokova welcomed on Friday the adoption of a new UN Security Council Resolution 2199 that condemns the destruction of cultural heritage and adopts legally-binding measures to counter illicit trafficking of antiquities and cultural objects from Iraq and Syria.
“The adoption of resolution 2199 is a milestone for enhanced protection of cultural heritage in Iraq and Syria, extending to Syria the prohibition of trade of cultural objects already in place for Iraq since 2003,” Bokova said.
“It is also a clear recognition that the pillage, destruction and trafficking of cultural heritage are more than a cultural tragedy – this is also a security and political imperative to be taken into account in all peace efforts,” she added.
Bokova warned that the pillage of Iraq’s and Syria’s culture has reached an unprecedented scale in Iraq and Syria, adding that the revenues of such as fuel the conflicts by providing money for armed groups and terrorists.
“This resolution acknowledges that cultural heritage stands on the frontline of conflicts today, and it should be placed at the frontline of security and political response to the crisis”, she said.
She also welcomed the strong call to the responsibility of all parties in the conflict to protect cultural heritage. She commended also the overwhelming support by Security Council Members in favor of this resolution.
“The protection of the cultural heritage of Syria and Iraq has strategic implications – it is fundamental for the identity and social cohesion of all Iraqis and Syrians and it is a precondition for future reconciliation and recovery”.
Welcoming the explicit role attributed to UNESCO by the Security Council, Bokova reaffirmed the Organization’s commitment “to stand by Member States to ensure the full respect of the UNESCO 1970 Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property”.
“The destruction of the unique cultural heritage of Syria and Iraq is a loss for all humanity and it is our common responsibility to stand up for its protection,” she concluded.

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