Stolen

“TRADITIONAL HERITAGE HOUSE IN SANA’A PLUNDERED AS YEMENI HERITAGE COMES UNDER INCREASING THREAT”

by Amal Al-Yarisi via “Yemen Times“

“Arwa Othman, head of the Traditional Heritage House in Sana’a, spent two years collecting traditional artifacts to fill the museum. She was devastated when it was robbed earlier last month. The padlocks were broken and glass windows were smashed. Important collectibles were found scattered around the house and precious silver items were missing, along with rare traditional clothes.

Established in 2004, Othman says the museum is one of a kind and contained important pieces of Yemen’s rich heritage. Museums in Hadramout, Seyoun, and Al-Dhale have also been robbed in the past, Othman said.

“On May 16, I was surprised to find the house robbed by unknown individuals. Some other collectibles were tampered with. So far, we have not identified who did it,” said Othman. The problem of robberies is particularly acute at the moment, given that the government’s hands are full in dealing with multiple crises and it cannot pay much attention to matters of heritage. What happened to the Traditional Heritage House is a case in point.

Othman said the house is a cultural entity that was formed to help safeguard the spiritual and material heritage of Yemen. She said she aims to preserve it and make it accessible to researchers.

Othman has been interested in Yemen’s history since she was a teenager. She used to save her allowance and buy traditional collectibles. “Every time my family gave me YR50 ($0.23), I headed to the market in Taiz where I was living. I used to buy many old items,” Othman recalled. . . . .”

Metropolitan Museum of Art Found to House Looted Art

“The Metropolitan Museum of Art’s Python bell-krater acquired in 1989 matches object documented in confiscated Medici archive, according to forensic archaeologist Christos Tsirogiannis: “The evidence suggests that the vase has most likely been unlawfully removed from Italian soil”

by Catherine Schofield Sezgin via “ARCA“

The Classic Greek mixing-bowl attributed to the artist Python (active ca. 350 – 325 BC) of Poseidonia (Paestan) on display in Gallery 161 of the Metropolitan Museum of Art in New York City should be returned to Italy because it has no collecting history before 1989 and has been matched with photographs in the possession of a convicted art dealer, according to the work of University of Cambridge’s Christos Tsirogiannis. (You can see The Met’s description of the object online here ).

This terracotta bell-krater, described in detail in Dr. Tsirogiannis’ column “Nekyia” in the Spring 2014 issue ofThe Journal of Art Crime, appears with soil/salt encrustations in five photographs from the confiscated Medici archive – including one Polaroid image. Then, “The object was auctioned by Sotheby’s in New York in June 1989 and the same year appeared as part of The Met’s antiquities collection,” Dr. Tsirogiannis reports.

Art dealer Giacomo Medici was convicted in 2005 of participating in the sale of looted antiquities. The story of how illicit antiquities were sold to art galleries and museums in Europe and North America was told in the 2006 book by Peter Watson & Cecilia Todeschini, The Medici Conspiracy: the illicit journey of looted antiquities, from Italy’s tomb raiders to the world’s greatest museums(Public Affairs). The Medici archives (or “Medici Dossier”) were described as “thirty albums of Polaroids, fifteen envelopes with photographs, and twelve envelopes with rolls of film … [along with] 100 full rolls of exposed film … [for] a total of 3,600 images” found in Medici’s warehouse of antiquities in Geneva in 1995. . . . .

“Italy Heritage Sleuths Launch Stolen Art App”

by AFP via “France 24”

Italy's top art detectives, global experts in finding stolen works, launched a smartphone app Wednesday to get people to collaborate on cracking crimesItaly's top art detectives, global experts in finding stolen works, launched a smartphone app Wednesday to get people to collaborate on cracking crimes

“Italy’s top art detectives, global experts in finding stolen works, launched a smartphone app Wednesday to get people to collaborate on cracking crimes.

The application, which will be available to download from AndroidMarket and AppleStore soon, was “thought up and created for citizens”, according to Mariano Mossa, the head of Italy’s heritage police.

“It represents a first for those who hope to contribute to the fight against heritage crimes,” he said at a press presentation of the new app.

Users who come across works of art they suspect have been stolen can take a photograph of it and send it straight to the police, who check in real time whether it matches any of the works in their archives. (more…)

“Battles Loom Over Crimea’s Cultural Heritage”

via Reuters

“YALTA, CRIMEA/KYIV — From the 16th-century Tatar Khans’ palace in Bakhchisaray to the former tsarist residence that hosted the World War II Yalta conference, Crimea’s heritage sites have become a source of bitter contention since Russia seized the region from Ukraine.

For Kyiv, which does not recognize Moscow’s annexation of Crimea, losing the cultural and historic legacy of the Black Sea peninsula would be another major blow and Ukraine is readying for long legal battles with Russia.

“We will never give up the valuable heritage in Crimea because that is the property of Ukraine,” the country’s prosecutor general, Oleh Makhnitsky, told Reuters on Wednesday.

Ukraine’s Culture Minister, Yevgen Nishchuk, said Kyiv was amending its laws to seek justice internationally should Russia start removing cultural goods from Crimea or take over formal supervision of the region’s heritage sites.

One exhibition, put together by five museums – including four in Crimea – and currently on display in Amsterdam, has already fallen hostage to the conflict over the region, the worst stand-off between Russia and the West since the Cold War.

Both Crimea’s pro-Russian authorities as well as Kyiv claim ownership of the exhibition, titled “Crimea – Gold and Secrets of the Black Sea”, which features golden artifacts and precious gems dating back to the fourth century BC.

The show is operated by the University of Amsterdam and spokesman Yasha Lange said a legal investigation was going on to determine to whom the collection should be returned after it closes at the end of August.

“The exhibition should return to Crimea,” said Valentina Mordvintseva, who works for Ukraine’s National Academy of Sciences in Crimea’s provincial capital of Simferopol and who helped Amsterdam’s Allard Pierson Museum set up the exhibit.

“So it has become a political issue,” she told Reuters. “If the things end up held in Kyiv, I think it would be bad for Ukraine itself because it would look like vengeance.”

She was referring to a March 16 referendum in Crimea, an impoverished region of two million with a narrow ethnic Russian majority, which yielded an overwhelming victory for those advocating a split from Ukraine to join Russia.

Kyiv and the West dismissed the hastily arranged vote as a sham but Moscow used it to justify formally incorporating Crimea on March 21.

Crimea has since then introduced the Russian ruble as its currency and switched to Moscow time, while Russian troops have taken over Ukrainian military bases, forcing Kyiv to pull out its soldiers with their families.

Tatars, Tsars and Stalin

Prosecutor Makhnitsky said the Justice Ministry in Kyiv was preparing to register lawsuits with international organizations to assert its rights to the historic and cultural sites in Crimea.

The ministry refused immediate comment on what exactly it plans to do, but any such endeavor is likely to be an uphill battle as Russia controls the region.

Underscoring how any efforts from Kyiv could face further obstacles, some directors of Crimea museums have welcomed unification with Russia in the hope it will lead to increased budget support from Moscow.

Valery Naumenko, director of a museum housed in the historic residence of the Crimean Khans in Bakhchisaray, complained that Kyiv had not allocated any funds for the upkeep of the palace, which is dominated by two slender minarets. (more…)