Who:
National Museum in Lagos, Nigeria
Where:
National Museum, Lagos
Awolowo Rd (opp Muson Centre),
Onikan, Lagos Island.
Tel:
+234 -1 263 6005
When:
Mon-Sat 9am – 5pm

National Museum in Lagos, Nigeria
National Museum, Lagos
Awolowo Rd (opp Muson Centre),
Onikan, Lagos Island.
Tel:
+234 -1 263 6005
Mon-Sat 9am – 5pm


Who: Museo Nacional del Prado
When: June 24, 2014 – Oct. 5, 2014 (Mon-Sun. 10 a.m. – 7 p.m.)
Where:
Museo Nacional del Prado Calle Ruiz de Alarcón 23 Madrid, Spain 28014 Tel.How Much: 14 € (reserve tickets online)
More Information: Here.
“On the occasion of the fourth centenary of the death of Domenico Theotocopuli, El Greco, the Museo del Prado is organizing the exhibition El Greco y la pintura moderna (El Greco and Modern Painting).
The exhibition will be one of the main commemorative events of the artist’s death and will show the deep influence that the rediscovery of El Greco had on the development of painting during the nineteenth and twentieth centuries. It will feature a selection of twenty five works by the Cretan master, which will be shown in relation to approximately seventy five paintings and drawings by modern artists, thus revealing the complexity and richness of their connections.”

Solitary Arch, Changchun Yuan, Yuanming Yuan (Garden of Extended Spring, Garden of Perfect Brightness), 1998, printed 2013. Lois Conner
Who: Cleveland Museum of Art
When: Mar. 30, 2014 – June 29, 2014 (Mon-Sat. 10 a.m. – 9 p.m.)
Where:
Cleveland Museum of Art
11150 East Boulevard
Cleveland, OH 44106
How Much: Generally Free, some special exhibits require a ticket.
More Information: Here.
“Magical, miraculous, and often times dangerous is how photographer Lois Conner has described some of her experiences capturing the images included in Beijing: Contemporary and Imperial: Photographs by Lois Conner.Opening at the Cleveland Museum of Art on Sunday, March 30 alongside Conner’s in-person Artist Talk that afternoon, the exhibition features a vast visual tour of historic and contemporary Beijing, inviting the viewer to reflect on China’s rising power in the context of its history and cultural landscape. The sites depicted span three centuries, embracing the dynastic glory of the Qing and its decline, the revolutionary 20th century, and the post-imperial and post-socialist story of Beijing and China today.
“Conner has said that the subject of her photography is landscape as culture,” comments Barbara Tannenbaum, the museum’s Curator of Photography. “The designs of public squares, city streets, gardens, palaces, humble homes, and office buildings directly impact the lives and emotions of those who occupy them. Those spaces also reveal the intentions of their creators, whether it is to demonstrate political, religious, or social power; offer a soothing respite from urban bustle; or burnish the beauty of nature.” . . .