Legal Dispute

“The Confidence, and the Art, Looked Real”

“The Confidence, and the Art, Looked Real”

by Patricia Cohen via “New York Times”

“To many people, the art dealer Jose Carlos Bergantiños Diaz seemed like an enviable man.  He came to the United States from Spain with his Mexican inamorata, Glafira Rosales, some 30 years ago, barely a dollar in his pocket, and only a few words of English at his command. Soon, he was living life on a grand stage. He bought a fine house in a wealthy New York suburb, opened an art gallery with Ms. Rosales and maintained auction accounts at Christie’s and Sotheby’s.He boasted of a friendship with Andy Warhol, an audience with the pope and his daughter’s violin performance at the Clinton White House. He created a charity that helped the poor and the sick in the Dominican Republic and Haiti, and won awards for his humanitarianism.

Behind the curtain, though, federal prosecutors say, Mr. Bergantiños was engaged in a very different sort of enterprise, a daring forgery swindle that fooled the art world and led collectors to spend more than $80 million on dozens of phony masterworks. The marketing of these forgeries, many of them sold through the offices of what was once New York’s oldest gallery, Knoedler & Company, has been among the most stunning art market scandals of the last decade. . . .”

I’ll just bet he’s out of the country; I can’t imagine having the cahoney’s to pull something like this off. And it begs the question of how well Knoedler & Co. were investigating the works they processed. Where are the provenance records, the testing process results, etc.? Were those forged as well, or were they not included in the sale? In this day and age, how were so many forged items passed of?

“Flea Market Renoir Painting Sparks Legal Battle With Museum”

“Flea Market Renoir Painting Sparks Legal Battle With Museum”

via “ABC NEWS“

“A one-of-a-kind Renoir painting the size of a napkin is at the center of an intense legal battle between a museum that claims it was stolen and a Virginia woman who claims she bought it for $7.

The tiny work of art is an 1879 landscape by the Impressionist painter titled “Paysage Bords de Seine.”

In court papers filed this week, the Baltimore Museum of Art claims the painting was stolen in 1951. As evidence, the Museum provided a 60-year-old police report, old museum catalogues and a receipt showing that a patron bequeathed the painting to the museum. . . . .”

When the Rights of Artists Meet the Rights of Ecologists

“Tone Deaf? Musician claims feds destroyed rare flutes at airport”

by Judson Berger via “Fox News“

“Everyone’s a critic. 

A Canadian musician claims that U.S. Customs officials seized and destroyed 11 rare flutes as he passed through New York’s John F. Kennedy International Airport last week. The reason? Concerns they were an ecological threat. 

The charge from Boujemaa Razgui, who is based in the U.S., has drawn widespread attention — in the U.S., in Canada, and particularly in the music community.  . . . “

The government disputes the claims, arguing that they merely destroyed random bamboo stalks, but that isn’t really the point. The real questioned the situation begs is when the Artist’s right goes too far.  Personally, I think that if the story proves true, the government officials were out of line.  However, what’s your opinion?  Given how far artist’s rights have been allowed to extend in the past, where should the line be drawn?  Art denigrating religious beliefs has been permitted.  Racist and fairly Vulgar works have been permitted. Is a minor potential threat to ecology more heinous? What’s your opinion?

“S. Korea says 16th Century Royal Seal at LACMA May have been Stolen”

“S. Korea says 16th Century Royal Seal at LACMA May have been Stolen”

by Matt Stevens via “LA Times”

“South Korean government officials want the United States to investigate the circumstances surrounding a 16th century Korean royal seal that they believe was stolen out of a shrine in Seoul before being acquired by the Los Angeles County Museum of Art.

“Vienna Museum Director Quits in Nazi Looted Art Row”

“Vienna Museum Director Quits in Nazi Looted Art Row”

By Georgina Prodhan via “Reuters“

“The director of Vienna’s Leopold Museum, home to extensive collections of work by Austrian artists such as Egon Schiele and Gustav Klimt, has quit in a row over Nazi-looted art. Tobias Natter said he could no longer stay at the museum after some of its most senior staff joined a controversial new foundation associated with Klimt’s illegitimate son, film director Gustav Ucicky, whose works included Nazi propaganda.”

Additional Sources