Ocean

Florida Sunken Treasure Discovery From 1715 Shipwreck Valued at Over $1 Million

“Florida Sunken Treasure Discovery From 1715 Shipwreck Valued at Over $1 Million”

by Kaylee Heck via “Yahoo News!

Florida treasure hunters hit the sunken treasure jackpot.

Brent Brisben — a co-founder of 1715 Fleet-Queens Jewels LLC, which has the rights to dive at the wreckage site where the gold was ultimately discovered — told ABC News that the 60 gold artifacts on the bottom of the ocean floor are valued at over $1 million.

The artifacts include 51 gold coins and 40 feet of gold chains with hand-crafted links, he said.

The centerpiece of the discovery is a single coin, given the nickname the “Tricentennial Royal,” which was destined to be delivered straight to Spanish King Phillip V, Brisben said.

This coin constitutes about half of the discovery’s expected value, with a price tag of more than $500,000, Brisben said.

The valuable find comes right before the 300-year anniversary of the 11-ship fleet sinking during a hurricane on July 31, 1715, off the Florida coast. The fleet had left from Havana, Cuba, on July 24, 1715.

Brisben said the discovery was made about a month ago, but he wanted to keep everything under wraps until the anniversary got closer.

“The work that goes on out there is not typical of what you see here today. I don’t want to call it an abrogation, but it’s what the dreams of every one of the people doing this are made of,” Brisben said at a news conference today. . . .

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“Fantasy Meets Technology in Ocean Resorts’ Underwater Art Show”

“Fantasy Meets Technology in Ocean Resorts’ Underwater Art Show”

By Bekah Wright via Yahoo! News

Where does one go to see an art exhibition in the Maldives? Under the sea, of course — the Indian Ocean, to be exact. Two of the island nation’s luxury resorts will be showcasing underwater works from photo artist Andreas Franke’s “Phantasy Fairytale” through May. 

The sites, Huvafen Fushi and Niyama, are sister properties in the posh Per Aquum collection, where rooms start at about $600 a night. Rather than in some stuffy gallery, the “Phantasy Fairytale” showings are in Subsix, Niyama’s underwater music club, and Huvafen Fushi’s Lime spa, also below sea level. 

Two photo shoots were necessary to create each fantasy-themed piece, one using an underwater backdrop and the other taken in a studio with real-life models. The superimposed images are encased in Plexiglas and stainless-steel frames, and divers put each piece — priced from $15,000 to $12,000 — in place per Franke’s specifications. 

What will visitors see in the “Phantasy Fairytale” galleries? Some familiar faces are captured in a combination of photography, nautical exploration and digital mastery: fairytale characters such as Snow White, Little Red Riding Hood, Star Money, The Snow Queen and The Last Unicorn. The two spaces have four identical Franke images, with the exception of The Snow Queen, only at Niyama, and The Last Unicorn at Huvafen Fushi.

Franke, an award-winning Austria-based photo artist and avid scuba diver, has said of the series: “With my photographs, I want to pull the spectators into unreal and strange worlds. Mystified scenes of a fairytale play within a fictional space. Dream worlds you can get lost in, or that you can identify with. This creates a new and unexpected atmosphere. This work shows very much of myself, since I am always on the lookout for stunning themes to create new images that have never been seen before.”

Adding to the story each image tells: salt and algae that collect on the frames, along with the ever-changing world of marine life around them. “The underwater scenery is beautiful, coral reefs surround both Subsix and Lime Spa. You can see all sorts of coral from finger coral to brain coral, hard coral and soft coral,” Stacey Dean, Per Aquum’s director of marketing and communications, told Yahoo Travel in an email. “There are also many fish that live in the coral reef such as parrotfish and clown fish. We even have the odd turtle, stingray and reef shark that swim past.” . . . . . .

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