Stolen

Forging an Art Market in China

“Forging an Art Market in China”

by David Barboza, Graham Bowley and Amanda Cox via “The New York Times”

“When the hammer came down at an evening auction during China Guardian’s spring sale in May 2011, “Eagle Standing on a Pine Tree,” a 1946 ink painting by Qi Baishi, one of China’s 20th-century masters, had drawn a startling price: $65.4 million. No Chinese painting had ever fetched so much at auction, and, by the end of the year, the sale appeared to have global implications, helping China surpass the United States as the world’s biggest art and auction market.

But two years after the auction, . . . “

“S. Korea says 16th Century Royal Seal at LACMA May have been Stolen”

by Matt Stevens via “LA Times”

“South Korean government officials want the United States to investigate the circumstances surrounding a 16th century Korean royal seal that they believe was stolen out of a shrine in Seoul before being acquired by the Los Angeles County Museum of Art.

Korean officials allege that the gilt bronze seal — which has been part of LACMA’s collection since 2000 — is one of more than 40 such signets from the Joseon Dynasty that went missing after. . . . “

“More than £300m of Art Being Stolen in Britain Each Year”

By Graeme Paton via “The Telegraph“

“Theft of art and antiques is now second only to drug dealing as the most lucrative trade for organised criminal gangs across the UK, according to senior police officers. More than £300 million of art is being stolen each year amid an escalating criminal trade in paintings and antiques, it has emerged. Thieves often target works on display in museums, libraries, archives and private collections and have been known to use extreme violence,the BBC reported. In one case last year, a rare medieval jug was stolen from a high-security display cabinet at a museum in Luton. The Wenlok jug – worth £750,000 – was eventually recovered and a man was jailed for more than two years for

Lost Art Internet Database

With the seemingly constant discovery of new artwork looted by the Nazis and lost to time, it is important for the original owners to keep their eyes out for their pieces. As such, the German government, via the Koordinierungsstelle Magdeburg – Germany’s main office for recording lost/stolen cultural resources, has just set up a new website to record these losses. (And can I just say I love a language that has 20 letters in a word). The Lost Art Internet Database was set up to carefully record/photograph/register all the pieces of cultural property that were looted during WWII.

The are two parts to the database: the “Search Requests” and the “Found-Objects Report.” The Search Requests is a place where “public institutions or private individuals or institutions” who lost their cultural property because of the “National Socialist rule” or WWII can post a search request on the website. The website will publish this as a world-wide request that people keep an eye out for your property. The Found-Objects Report is where cultural art/artifacts are listed when it is verified (or where the lack of knowledge about their history suggests) that they are stolen property. You can go here and skim through the lists to see if your art/cultural piece is on the list.

Apparently the website was so popular, it’s actually crashed a couple of times due to the vast numbers trying to get on. (1) Do you remember the cultural pieces discovered in Munich recently? Well that’s what triggered the new interest in the site, as the government is posting photos and details of the works in hopes that people who recognize and claim them. As of the 11th, 25 paintings were listed, and as many as 590 more could be added from that collection over time. Apparently the US State Department (why them, I’m not sure) is urging Germany to “publish the list of works, eliminate the country’s 30-year statute of limitations on stolen art and establish a formal claims process for victims to recover their works.” (2) At least the first part is done; now we’ll see what happens to the second half of that request. Germany has said that it will arrange a task force with “at least six researchers specializing in [sic] tracing the ownership of artworks.” (3) Hopefully, careful organization will ensure that these works find their way into the right hands.

Theodore Rousseau’s “Vue de la Vallee de la Seine” (Undated)

Henri Matisse’s “Sitting Woman/Woman Sitting in a Chair” (1924)

Max Liebermann’s “Two Riders on a Beach” (1901)

Erich Fraass’ “Mother and Child” (1922)

Otto Dix’s “Dame in der Loge” (1922)

Hans Christoph’s “Couple” (1924)

Please note that it seems that the website has undergone quite a bit of change recently. A lot of stuff that used to be there isn’t anymore (they might be re-adding it over time). If you are interested, you can plug in the URL to the WayBack Machine” and find earlier versions of the site. Note-worthy is the lack of “Publications” on the new site, as well as a more complex layout. Luckily, there’s been an English version of the site for a while! So if you are interested in more than the recent publication of the Munich items, then the older version might be worth checking out.